Bulegoa Bulegoa
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  • About us
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Bulegoa Bulegoa
  • Lines
    • Forms of formless knowledge
    • Illegal_Cinema
    • One Wall Productions
    • BGE
    • Zapi Zuria
  • Productions
    • Material Voices
    • THE PAPERS OF THE EXHIBITION (1977-2017)
    • Space Is The Place / The Place Is Space
    • Artworks for de-occupying and occupying…
    • The Book to Come
    • CORPUS
    • Cinema and truth in Sarah Vanagt’s work
    • EL CONTRATO
    • Opening up a happening by Allan Kaprow…
    • 18 pictures and 18 stories
    • A Polyphony of Time
    • One, two, three, four walls
    • Forms of Navigation: Cabotage
  • Residencies
    • Open call for residency
    • Other modes of residency

What we have done

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  • ← Previous Entries
    • EL CONTRATO
    • 2013-14 Reading group
      • Conferences
      • Sessions
    • Exhibition
      • Conferences and Other Activities
      • Performing Arts Program
      • 2014-15 Reading group
      • ZIMETATEKA. EL CONTRATO Film program
    • Book
    • SYMPOSIUM:
      • Prologue:
        • Encounter
      • 1977-1987:
        • Encounter
      • 1987-1997:
        • Call for papers
        • Encounter
      • 1997-2007:
        • Call for papers
        • Workshop
        • Encounter
      • 2007-2017:
        • Encounter
    • BOOK
    • Courses
      • Course on curating
      • Post-Studio 2.0
      • Permanent Ordinary Seminar
    • Itziar Okariz: Trabajar con material
    • Reading groups
    • Lessons
  • BGE

    Second session of the “What Is to Be Done Under Real Subsumption?” reading group*

    24/05/2014 10:00

    “What is real subsumption? Marx defines ‘formal subsumption’ as the process in which capital integrates an existing labour process: techniques…

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    Illegal_cinema

    Forty-second session, Cine_Ilegal

    10/05/2014 19:00

    Screening of a film proposed by Sahatsa Jauregi, followed by a debate. The image of a blonde, dark-skinned, blue…

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    BGE

    First session of the “What Is to Be Done Under Real Subsumption?” reading group*

    19/04/2014 10:00

    “What is real subsumption? Marx defines ‘formal subsumption’ as the process in which capital integrates an existing labour process: techniques…

    Read more

    Illegal_cinema

    Forty-first session, Cine_ilegal

    04/04/2014 19:00

    Double film screening proposed by Loty N., followed by a debate. Style Wars (USA, Tony Silver & Henry Chalfant, 1983,…

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    Illegal_cinema

    Fortieth session, Cine_ilegal

    13/03/2014 19:00

    Film screening proposed by Joseba García Martín, followed by a debate. The Suspended Step of the Stork (Theo…

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    BGE

    Eleventh lesson: Couplings, sparkles and other overflows. June Crespo

    05/03/2014 10:00

    I propose to use particular interests within a sculptural focus to approach audiovisual works of a markedly performative nature. Specific…

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    Illegal_cinema

    Thirty-ninth session, Cine_ilegal

    20/02/2014 19:00

    Screening proposed by Terri Florido, followed by a debate. The Weather Underground (Sam Green, Bill Siegel, 2003, 92 min.) The…

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    Illegal_cinema

    Thirty-eighth session, Cine_ilegal

    07/02/2014 19:00

    Screening proposed by Mikel Otxoteko, followed by a debate. Red Light (Itziar Okariz, 1995, 3:14 min.) Saute ma ville…

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    Conferences

    EL CONTRATO Lecture Programme. Fourth talk: Elena Casado*

    28/01/2014 19:00

    “The Power of the Ordinary” Just what it is that makes Comic Sans or Gandía Shore so irritating, so…

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    Forms of formless knowledge

    “1992. Capital status, exhibitions and critical strategies”. Península. Colonial processes and art and curatorial practices

    “1992. Capital status, exhibitions and critical strategies”. Friday, 10 January, 2014 – 19:00 With the Universal Exposition of Seville, 1992…

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    Illegal_cinema

    Thirty-seventh session, Cine_ilegal

    09/01/2014 19:00

    Screening of a film proposed by Peio Aguirre, followed by a debate. Performance (Donald Cammell / Nicolas Roeg, 1970, 105…

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    Illegal_cinema

    Session thirty-six, Cine_ilegal

    27/12/2013 19:00

    Film screening proposed by Pablo Lafuente followed by a debate. Como era gostoso o meu francês (Nelson Pereira dos…

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