Illegal_cinema
Forty-fourth session, Cine_ilegal
21/06/2014 19:30Film screening proposed by Pablo Marte, followed by a debate. Le film à venir (Raoul Ruiz, 1997, 08:47) Toute…
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Illegal_cinema
Forty-third session, Cine_Ilegal
06/06/2014 19:30Screening of a film proposed by Taxio Ardanaz, followed by a debate. Kanal (Andrzej Wajda, 1957, 96 min.) Taxio Ardanaz…
BGE
Second session of the “What Is to Be Done Under Real Subsumption?” reading group*
24/05/2014 10:00“What is real subsumption? Marx defines ‘formal subsumption’ as the process in which capital integrates an existing labour process: techniques…
Illegal_cinema
Forty-second session, Cine_Ilegal
10/05/2014 19:00Screening of a film proposed by Sahatsa Jauregi, followed by a debate. The image of a blonde, dark-skinned, blue…
BGE
First session of the “What Is to Be Done Under Real Subsumption?” reading group*
19/04/2014 10:00“What is real subsumption? Marx defines ‘formal subsumption’ as the process in which capital integrates an existing labour process: techniques…
Illegal_cinema
Forty-first session, Cine_ilegal
04/04/2014 19:00Double film screening proposed by Loty N., followed by a debate. Style Wars (USA, Tony Silver & Henry Chalfant, 1983,…
Illegal_cinema
Fortieth session, Cine_ilegal
13/03/2014 19:00Film screening proposed by Joseba García Martín, followed by a debate. The Suspended Step of the Stork (Theo…
BGE
Eleventh lesson: Couplings, sparkles and other overflows. June Crespo
05/03/2014 10:00I propose to use particular interests within a sculptural focus to approach audiovisual works of a markedly performative nature. Specific…
Illegal_cinema
Thirty-ninth session, Cine_ilegal
20/02/2014 19:00Screening proposed by Terri Florido, followed by a debate. The Weather Underground (Sam Green, Bill Siegel, 2003, 92 min.) The…
Illegal_cinema
Thirty-eighth session, Cine_ilegal
07/02/2014 19:00Screening proposed by Mikel Otxoteko, followed by a debate. Red Light (Itziar Okariz, 1995, 3:14 min.) Saute ma ville…
Conferences
EL CONTRATO Lecture Programme. Fourth talk: Elena Casado*
28/01/2014 19:00“The Power of the Ordinary” Just what it is that makes Comic Sans or Gandía Shore so irritating, so…
Forms of formless knowledge
“1992. Capital status, exhibitions and critical strategies”. Península. Colonial processes and art and curatorial practices
“1992. Capital status, exhibitions and critical strategies”. Friday, 10 January, 2014 – 19:00 With the Universal Exposition of Seville, 1992…