Uncategorized
Open call 2019: from 2 April to 2 May. The objective of this call is to facilitate the production of art and knowledge at different stages and levels at Bulegoa z/b. The residency, which is open to artists and researchers, will last for a month and include space and discursive and financial resources. Our…(Read More)
Illegal_cinema
Still from "Guahibos" (1976).
Transamerica: mirror and voyage Screening of several films by Ju4n D0wn3y, proposed by Camila Téllez and followed by discussion. The Looking Glass (1981, 28’49”) Guahibos (1976, 25’10”) The Laughing Alligator (1979, 27’) I would like to try to share this material here. It’s not easy to get hold of. Thanks to…(Read More)
Artworks for de-occupying
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Peter Friedl: "Bilbao Song" (2010). Courtesy of the artist and Museo Centro Nacional de Arte Reina Sofía.
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Encounter around Bilbao Song (Peter Friedl, 2010) with Ismael Manterola and Leire Vergara. This event is part of Artworks for De-occupying and Occupying Time in the Museum, a series of encounters accompanying the exhibition After 1968. Art and artistic practices in the Basque Country, 1968-2018 at the Bilbao Fine Arts Museum. The encounters…(Read More)
Open Call Residency
Opening of Antonio Menchen’s exhibition as part of his residency at Bulegoa z/b. His proposal negro fondo ultraterreno (black with otherworldly background) was chosen, together with Espigadoras / Gleaners by Claudia Pagès, for residency in 2018; members of the jury for which were José Ramón Ais (artist), Beatriz Herráez (art historian…(Read More)
Artworks for de-occupying
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Nemesio Mogrobejo: “Risveglio” (1903). Courtesy of Bilbao Fine Arts Museum.
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Mikel Eskauriaza: “Despertar en el museo” (1990-2018)
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
Encounter around Risveglio (Nemesio Mogrobejo, 1903) with Mikel Eskauriaza and Asier Mendizabal. This event is part of Artworks for De-occupying and Occupying Time in the Museum, a series of encounters accompanying the exhibition After 1968. Art and artistic practices in the Basque Country, 1968-2018 at the Bilbao Fine Arts Museum. The encounters are…(Read More)
Open Call Residency
Antonio Menchen will be opening his residency at Bulegoa z/b with a presentation. His proposal negro fondo ultraterreno was chosen, together with Espigadoras / Gleaners by Claudia Pagés, for residency in 2018; members of the jury for which were José Ramón Ais (artist), Beatriz Herráez (art historian, curator and current director of…(Read More)
Forms of formless knowledge
Andrea Rodrigo and Claudia Pagès mutual encounter took shape after an invitation by Bulegoa z/b, where they started working together in writing. The initial premise was to try to maintain the diffuse state close to intuition that happens in the studio, when meanings have not quite been articulated. To write from that place…(Read More)
Artworks for de-occupying
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Esther Ferrer: "Mallarmé revisé o Malarmado revisado" (1968). Courtesy of Museo Nacional Centro de Arte Reina Sofía.
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Esther Ferrer: "Mallarmé revisé o Malarmado revisado" (1968). Courtesy of Museo Nacional Centro de Arte Reina Sofía.
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Esther Ferrer: "Mallarmé revisé o Malarmado revisado" (1968). Courtesy of Museo Nacional Centro de Arte Reina Sofía.
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Esther Ferrer: "Mallarmé revisé o Malarmado revisado". Performer: Ines Bermejo. Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Esther Ferrer: "Mallarmé revisé o Malarmado revisado". Performer: Ines Bermejo. Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Esther Ferrer: "Mallarmé revisé o Malarmado revisado". Performer: Ines Bermejo. Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Esther Ferrer: "Mallarmé revisé o Malarmado revisado". Performer: Ines Bermejo. Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Esther Ferrer: "Mallarmé revisé o Malarmado revisado". Performer: Ines Bermejo. Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Esther Ferrer: “Suspiros de España” (1981). Performers: Ines Bermejo, Mikel Tejada, Ainhoa Ortells and Paula Brezo. Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Esther Ferrer: “Suspiros de España” (1981). Performers: Ines Bermejo, Mikel Tejada, Ainhoa Ortells and Paula Brezo. Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Phone conversation between Laurence Rassel and Esther Ferrer. Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Phone conversation between Laurence Rassel and Esther Ferrer. Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
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Phone conversation between Laurence Rassel and Esther Ferrer. Photo: Ana Inés Landeta, Bilbao Fine Arts Museum.
Encounter around Esther Ferrer’s Mallarmé revisé o Malarmado revisado (1968) with the artist and Laurence Rassel. This event is part of Artworks for De-occupying and Occupying Time in the Museum, a series of encounters accompanying the exhibition After 1968. Art and artistic practices in the Basque Country, 1968-2018 at the Bilbao Fine…(Read More)
Illegal_cinema
"The Ballad of Genesis and Lady Jaye", Marie Losier, 2011.
Screening of The Ballad of Genesis and Lady Jaye, Marie Losier, 2011, proposed by la santamari(c)a and followed by discussion. Love would seem to be the enemy of feminism. And how not to see it with suspicion? Love (romantic love, naturally) is the perfect lubricant for presenting the nuclear, heterosexual family as the…(Read More)