Posts From the yearly archives: "2019"

“Under a juniper-tree the bones sang, scattered and shining We are glad to be scattered, we did little good to each other, Under a tree in the cool of day, with the blessing of sand, Forgetting themselves and each other, united In the quiet of the desert. (…)” Ash Wednesday by T. S. Eliot Screening…(Read More)

  • Yi Sang, "A Memorandum of Line 1," TriangleDrawing, published in a magazine Joseon and Architecture, October 1931, 29.

  • Mavo, Hayashi restaurant, Barrack decoration project, early 1924. In: “New occupations after the earthquake: they skillfully display their abilities, the best machine”. Chūō shinbun, March 6, 1924.

Opening of Yen Noh’s installation and walking exhibition as part of her residency at Bulegoa z/b. Her proposal The Im/possible Avant-garde: Can We Talk About MAVO?  was chosen, together with Camino a Far Lands by Oriol Ocaña Mariné, for residency in 2019; members of the jury for which were I…(Read More)

  • Poster: Manu Arregui

Once again, Bulegoa z/b will be celebrating its birthday in early November. You’re invited to come and celebrate our ninth anniversary with us at a party with pintxos, drinks and performances. 18:00. Opening 18:30. Txaranga Urretabizkaia 19:30: Garazi Navas 20:30: NIZE 21:00: Garazi Gorostiaga 21:30: Santamarica…(Read More)

While trying to curb migration from the Global South, neoliberal globalization funnels capital, “expats” and tourists to various metropolitan centers, making sustainable life and work difficult for many residents. Once, the question was whether a different form of globalization (an alter-globalization) is possible. Today, the question can be rephrased as follows: how is a…(Read More)

Screening of The Girls of Kamare (René Viénet, 1974), proposed by Yen Noh and Sven Lütticken and followed by discussion. René Viénet’s film The Girls of Kamare is largely based on the Japanese film Terrifying Girls’ High School: Lynch Law Classroom. A former member of the Situationist International and Sinologist, Vi…(Read More)

  • Mavo, Hayashi restaurant, Barrack decoration project, early 1924. In: “New occupations after the earthquake: they skillfully display their abilities, the best machine”. Chūō shinbun, March 6, 1924.

  • Yi Sang, "A Memorandum of Line 1," TriangleDrawing, published in a magazine Joseon and Architecture, October 1931, 29.

Yen Noh will be opening her residency at Bulegoa z/b with a presentation. Her proposal The Im/possible Avant-garde: Can We Talk About MAVO?  was chosen, together with Camino a Far Lands by Oriol Ocaña Mariné, for residency in 2019; members of the jury for which were Iñaki Garmendia (artist), Julia…(Read More)

  • Elena Aitzkoa: Inner sleeve of record cover for Paraíso Terrenal (2019)

  • Marwa Arsanios: Who is Afraid of Ideology? (2019)

  • Marwa Arsanios: Who is Afraid of Ideology? (2019)

Elena Aitzkoa and Marwa Arsanios present two projects: Paraíso terrenal (Earthly Paradise), and Who is Afraid of Ideology? within Display Series. Display Series is one of the lines in our programming and focuses on exhibition formats and installation. Our aim is to create encounters where both local and international artists can show their work…(Read More)