What we have done

The seminar “Roba da matti” came out of a personal interest of mine in madness. With it, I would like…

UIQ in Love_A Love of UIQ: The Unmaking-of is the title of a two-day workshop or ‘seeance’ led…

Agency calls forth Thing 002115 (Promenades en Pays Basque) from its ‘list of things’ for EL CONTRATO exhibition in Alh…

Ever since Bulegoa zenbaki barik opened in November 2010, we’ve been compiling a photographic and sound record of our…

Joseph Beuys’ How to Explain Painting to a Dead Hare performance (1965), paraphrased in the title of this work, gives…

On a screen on one side of the room is the first scene in film history: Workers Leaving The Lumi…

In summer this year we invited Lorea Alfaro to produce something for One Wall Productions. She responded with an intervention…

Works such as Hannah Wilke’s self-portraits during her cancer therapy, Mona Hatoum’s “inform portraits” in her Corps…

“Revolution cannot be the mere expropriation of capital, the seizing of the means of production by or on behalf of…

“For the last five years, I’ve been looking at notions of the image and visual language, because they take…

The phrase “That we shall know with whom we have to do, is the first precondition of having anything to…

A film programme will run parallel to EL CONTRATO exhibition. The programme is divided into eight sections, and includes some…