Bulegoa Bulegoa
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Bulegoa Bulegoa
  • Lines
    • Forms of formless knowledge
    • Illegal_Cinema
    • One Wall Productions
    • BGE
    • Zapi Zuria
  • Productions
    • Material Voices
    • THE PAPERS OF THE EXHIBITION (1977-2017)
    • Space Is The Place / The Place Is Space
    • Artworks for de-occupying and occupying…
    • The Book to Come
    • CORPUS
    • Cinema and truth in Sarah Vanagt’s work
    • EL CONTRATO
    • Opening up a happening by Allan Kaprow…
    • 18 pictures and 18 stories
    • A Polyphony of Time
    • One, two, three, four walls
    • Forms of Navigation: Cabotage
  • Residencies
    • Open call for residency
    • Other modes of residency

What we have done

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  • ← Previous Entries
    • EL CONTRATO
    • 2013-14 Reading group
      • Conferences
      • Sessions
    • Exhibition
      • Conferences and Other Activities
      • Performing Arts Program
      • 2014-15 Reading group
      • ZIMETATEKA. EL CONTRATO Film program
    • Book
    • SYMPOSIUM:
      • Prologue:
        • Encounter
      • 1977-1987:
        • Encounter
      • 1987-1997:
        • Call for papers
        • Encounter
      • 1997-2007:
        • Call for papers
        • Workshop
        • Encounter
      • 2007-2017:
        • Encounter
    • BOOK
    • Courses
      • Course on curating
      • Post-Studio 2.0
      • Permanent Ordinary Seminar
    • Itziar Okariz: Trabajar con material
    • Reading groups
    • Lessons
  • Forms of formless knowledge

    Seminar on Properties of Sound

    21/12/2014 10:00

    Ever since Bulegoa zenbaki barik opened in November 2010, we’ve been compiling a photographic and sound record of our…

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    Scenic

    “Semi-interpretations or How to Explain Contemporary Dance to an Undead Hare”. BADco

    Joseph Beuys’ How to Explain Painting to a Dead Hare performance (1965), paraphrased in the title of this work, gives…

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    Scenic

    “1 poor and one 0”. BADco

    On a screen on one side of the room is the first scene in film history: Workers Leaving The Lumi…

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    One wall productions

    “PARETARA”. Lorea Alfaro

    In summer this year we invited Lorea Alfaro to produce something for One Wall Productions. She responded with an intervention…

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    Forms of formless knowledge

    “The Emotional Rhetoric of Gustav Zeiller’s Anatomical Museum”. Nike Fakiner

    02/12/2014 19:00

    Works such as Hannah Wilke’s self-portraits during her cancer therapy, Mona Hatoum’s “inform portraits” in her Corps…

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    BGE

    “What is to be done under Real Subsumption?”. Workshop and meeting

    28/11/2014 19:00

    “Revolution cannot be the mere expropriation of capital, the seizing of the means of production by or on behalf of…

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    Conference and...

    Très bien éclairé. Arantxa Martínez

    “For the last five years, I’ve been looking at notions of the image and visual language, because they take…

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    BGE

    “To know with whom we have to do”. Reading Group, Centro de Arte Dos de Mayo

    20/11/2014 17:00

    The phrase “That we shall know with whom we have to do, is the first precondition of having anything to…

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    THE CONTRACT

    EL CONTRATO film programme at AlhóndigaBilbao

    05/11/2014 18:00

    A film programme will run parallel to EL CONTRATO exhibition. The programme is divided into eight sections, and includes some…

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    Conference and...

    Zoom Out; Dream Diary. Itziar Okariz

    Zoom out; dream diary consists in the fragmented reading aloud of a text, an extract from a dream diary that…

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    THE CONTRACT

    ZINEMATEKA. Ciclo de cine EL CONTRATO

    Del 5 de noviembre de 2014 al 15 de enero de 2015 En 2013, recibimos la invitación de Alh…

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    Forms of formless knowledge

    FROM A “UNIVERSITY WITHOUT CONDITION”: WRITING DEFERRED AND LESSER KNOWLEDGE. AURORA FERNÁNDEZ POLANCO

    In our era of academic capitalism we are still comfortably reclining in our sofas –in our family living rooms, on…

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