The powers of seeing. As my manner of representation has always been linked to error. This realization made me realize a field full of possibilities: if I’ve always been wrong, I can do whatever I want.
Of freedom as a plural act – freedoms. For a practice from the possibilities within the imposed limitations.
Micro implosion exercises.
Intellectualities perceived in various acts.
The non-public and structural as a stimulus to the fissures provoked.
Act of art. Open to error as a curatorial act. Experiences to be able to perceive me as a curator and keep going.
Let’s eat, listen, move, drink, and talk like field research, time-space, and language.
Keyna Eleison. Curator. Researcher, heiress Griot and shaman, narrator, singer, ancient chronicler. Master in Art History and specialist in Art History and Architecture from PUC – Rio (Pontifical Catholic University of Rio de Janeiro); Bachelor of Philosophy from UFRJ (Federal University of Rio de Janeiro). Member of the African Heritage Commission for the Valongo Wharf region laureate (UNESCO). Curator of the 10th. SIART International Art Biennial in Bolivia. Currently chronicler of Contemporary& magazine, and Professor of the Free DeFormation Program at Parque Lage School of Visual Arts, Rio de Janeiro.