Posts Viendo los archivos de: "BGE"

Taking the “Post-Studio” course taught by Michael Asher at California Institute of the Arts from 1976-2008 as a model, this Post-Studio kritt klass second edition will take place between June 27 and July 25, 2019. The participants will present a finished artwork and engage in an exhaustive critique by the group. With…(Read More)

Taking the “Post-Studio” course taught by Michael Asher at California Institute of the Arts from 1976-2008 as a model, this marathon crit sessions will take place on December 19, 20 and 21, 2018. The participants will present a finished artwork and engage in an exhaustive critique by the group. With this workshop we…(Read More)

Thursday 6 July 2017 – 17:00 Friday 7 July 2017 – 10:30 In 2007, Bulegoa z/b is setting up a course on curating through a series of encounters. Each of these will be divided into two sessions and directed by a person who we invite to interrogate the term “curating”. Peio Aguirre will be…(Read More)

Bulegoa z/b continues a series of readings coordinated by Olatz González Abrisketa and Susana Carro Ripalda around the theme “Cosmopolitics”, a term proposed by Isabel Stengers in 1996 to suggest a way of doing politics that would disallow the existence of a “common world”, the “common good”, or “good intentions”; and hence the…(Read More)

Bulegoa z/b continues a series of readings coordinated by Olatz González Abrisketa and Susana Carro Ripalda around the theme “Cosmopolitics”, a term proposed by Isabel Stengers in 1996 to suggest a way of doing politics that would disallow the existence of a “common world”, the “common good”, or “good intentions”; and hence the…(Read More)

Exposición “Anywhen” Philippe Parreno. Tate Modern, Londres. 2016. Olatz González Abrisketa

Photo: Exhibition “Anywhen” Philippe Parreno. Tate Modern, Londres. 2016. Olatz González Abrisketa Bulegoa z/b is beginning a series of readings coordinated by Olatz González Abrisketa and Susana Carro Ripalda around the term “Cosmopolitics”. The term “Cosmopolitics” was proposed by Isabelle Stengers in 1996 to suggest a way of doing politics that would…(Read More)

In 2007/08 I lived in Japan for a CCA Kitakyushu fellowship. I initially wanted to research differences between Japanese and Western aesthetic thought around time and decay. I ended up feeling fascinated by the rich tradition of Japanese food preservation and pickling (Tsukemono). It seemed the act of transforming a raw food into something…(Read More)

Analphabet Orchestra is a project I have been working on for the past two years, which aims to create a common stage for artistic and philosophical interests, and to narrow and interlink the relationship between practice and theory. The dispositif attempts to listen to “famous” songs and try to copy them on instruments without knowing…(Read More)