{"id":8966,"date":"2019-09-09T11:03:56","date_gmt":"2019-09-09T09:03:56","guid":{"rendered":"https:\/\/bulegoa.org\/?p=8966"},"modified":"2019-10-01T15:07:34","modified_gmt":"2019-10-01T13:07:34","slug":"komisariotza-ikastaroa-ruth-noack-zatozte-buelta-bat-ematera","status":"publish","type":"post","link":"https:\/\/bulegoa.org\/eu\/komisariotza-ikastaroa-ruth-noack-zatozte-buelta-bat-ematera\/","title":{"rendered":"KOMISARIOTZA-IKASTAROA. RUTH NOACK: ZATOZTE BUELTA BAT EMATERA…"},"content":{"rendered":"

Zatozte buelta bat ematera. Ibilaldi bat laurogeita hamarreko hamarkadako erakusketen komisariotzaren memorian barrena
\n<\/strong>Nola izan genuen ekitaldi txikien espiritua abiaburu, adibidez, arteari eta diskurtsoari buruz auto-antolatutako gau-jaiak, eta nola eman zioten horiek itxura handik hamarkada batera antolatu genituen eskala handiko erakusketei. Eta ea gaur egun praktika autodidakta horietakoren bat erabili ahal dugun.<\/p>\n

Mesedez, irakurri testu hauen zatiak:<\/p>\n

Teresa de Lauretis, \u201cDesire in Narrative\u201d. Hemen: Alice Doesn’t. Feminism. Semiotics<\/em>. Cinema<\/em>, 1984.
\nedo
\nStephen Heath, \u201cNarrative Space\u201d (1976). Hemen: Questions of Cinema<\/em>, 1981.<\/p>\n

Orduko une hura islatzen duten testu teoriko erradikalak dira biak ala biak: inspirazio-iturri jende askorentzat, irakurtzeko eta ulertzeko zailak izanda ere. Nahiko nuke saioko parte-hartzaileek plazerezko jarrera har dezaten testuak irakurtzean, eta, testuak menperatzen saiatu beharrean, ahalegina egin dezaten erabilgarri zaizkien aurkikuntzak biltzeko. Gainera, gonbit egin nahi diet aurkikuntza horiek gainerakoekin parteka ditzaten.<\/p>\n

Ikastaroan parte hartzeko eta testuak jasotzeko, idatzi helbide honetara: bulegoa@bulegoa.org<\/strong><\/p>\n

Ruth Noack<\/strong> egilea, kritikaria, hizlaria eta komisarioa da. Artea eta Artearen Historia ikasi zituen. Orain dela gutxi, The Corner at Whitman-Walker-eko zuzendari exekutibo izendatu dute Washington DC-n. Noack documenta 12-ko komisarioa izan zen (2007). Roger M. Buergel-ekin batera, erakusketa hauetako komisarioa izan da, besteak beste: Scenes of a Theory <\/em>(1995), Things We Don\u2019t Understand<\/em> (2000), The Government<\/em> (2005). Banaka, erakusketa askotan aritu da komisario, hala nola hauetan: Not Dressed for Conquering \u2013 Ines Doujak, Loomshuttles\/Warpaths<\/em> (2012) eta Notes on Crisis, Currency and Consumption<\/em> (2015). 2019ko urriaren 18an, Stuttgarteko W\u00fcrttembergischer Kunstverein-en inauguratuko da Atenasen, Pragan eta Beijingen (2018) aurkeztutako Sleeping With a Vengance, Dreaming of a Life<\/em> zirriborro-erakusketa. Haren ikergaien artean \u201cGhosting the Nation\u201d (Nazioa eta fantasmagoria) eta \u201cMuseum in a School\u201d (Museoa eskolan) ditugu. Arte Garaikideko Komisariotzako programako zuzendaria izan da Londresko Royal College of Art-en (2012-2013), eta luze aritu da eskolak ematen, esaterako, DAIn (Dutch Art Insitute, Arnhem) (2015-2019). Artikulu eta saiakera akademikoez gain, Sanja Ivekovic-en Triangle<\/em> obraz idatzi du Afterall Books-en (2013), eta Agency, Ambivalence, Analysis. Approaching the Museum with Migration in Mind<\/em> (2013) lana editatu du.<\/p>\n","protected":false},"excerpt":{"rendered":"

Zatozte buelta bat ematera. Ibilaldi bat laurogeita hamarreko hamarkadako erakusketen komisariotzaren memorian barrena Nola izan genuen ekitaldi txikien espiritua abiaburu, adibidez, arteari eta diskurtsoari buruz auto-antolatutako gau-jaiak, eta nola eman zioten horiek itxura handik hamarkada batera antolatu genituen eskala handiko erakusketei. Eta ea gaur egun praktika autodidakta horietakoren bat erabili ahal dugun. Mesedez, irakurri testu […]<\/p>\n","protected":false},"author":5,"featured_media":12284,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[85,143,49],"tags":[],"acf":[],"yoast_head":"\nKOMISARIOTZA-IKASTAROA. 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