{"id":7030,"date":"2018-10-26T15:05:34","date_gmt":"2018-10-26T13:05:34","guid":{"rendered":"https:\/\/bulegoa.org\/?p=7030"},"modified":"2018-10-30T10:58:01","modified_gmt":"2018-10-30T09:58:01","slug":"session-78-illegal_cinema","status":"publish","type":"post","link":"https:\/\/bulegoa.org\/en\/session-78-illegal_cinema\/","title":{"rendered":"SESSION 78, ILLEGAL_CINEMA"},"content":{"rendered":"<p>A selection of animated films (1960s-2000s) to shake up the imaginary, proposed by <strong>Raquel Meyers<\/strong> and followed by a discussion.<\/p>\n<p>Storytelling has become a technique for control and power. We seem to no longer have time for story-building, only for anecdotal stories whose function is to feed the social networks with clicks, immediate satisfaction and emotional tourism. What better to combat cynicism and resignation than a dose of animated madness.<\/p>\n<p><strong><em>Kitty<\/em> <\/strong>(N. Konstantinov, 1968, Russia, 01:24)<br \/>\n<strong><em>Bambi meets Godzilla<\/em> <\/strong>(Marv Newland, 1969, US, 01:37)<br \/>\n<strong><em>Suur To\u0303ll<\/em> <\/strong>(Rein Raamat, 1980, Estonia, 13:44)<br \/>\n<strong><em>Visions of Frank<\/em> <\/strong>(Taruto Fuyama, 2003, Japan, 05:35)<br \/>\n<strong><em>Facial Recognition <\/em><\/strong>(Al Jarnow, 1990s, US, 3:21)<br \/>\n<strong><em>Fantasy<\/em> <\/strong>(Vincent Collins, 1967, US, 03:09)<br \/>\n<strong><em>Meat Love<\/em> <\/strong>(Jan Svankmajer, 1989, Czech Republic, 01:07)<br \/>\n<strong><em>The Midnight Parasites<\/em> <\/strong>(Yo\u0304ji Kuri, 1972, Japan, 09:50)<\/p>\n<p><strong>Raquel Meyers<\/strong> (Cartagena, 1977) works in a variety of media and defines her practice as expanded typing (KYBDsl\u00f6jd). A contemporary fairy-tale woven with technology from the past, a Commodore 64 with its blinking vertical teletext lines. A world of mythical creatures and dreamlike adventures where calm and recklessness reign. Frame by frame, symbol by symbol, Meyers creates a descent into Wonderland, where time stands still and chaos reigns.<\/p>\n<p>Her work has been exhibited from 2004 onwards at art centres, galleries and festivals such as Transmediale, LABoral, Xpo Gallery, La Casa encendida, BilbaoArte, iMAL, Liste Art Fair Basel, The Wrong, La Ga\u00eet\u00e9 lyrique, Tokyo Blip Festival, Square Sounds Melbourne, VISION\u2019R, Mapping, CRUCE, Le Shadok, Galerie Charlot, Mus\u00e9e L, LEV, MFRU, BEK and others.<\/p>\n<p><a href=\"http:\/\/www.raquelmeyers.com\/\">http:\/\/www.raquelmeyers.com<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A selection of animated films (1960s-2000s) to shake up the imaginary, proposed by Raquel Meyers and followed by a discussion. Storytelling has become a technique for control and power. We seem to no longer have time for story-building, only for anecdotal stories whose function is to feed the social networks with clicks, immediate satisfaction and [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":7025,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[38],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SESSION 78, ILLEGAL_CINEMA - Bulegoa<\/title>\n<meta name=\"description\" content=\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bulegoa.org\/en\/session-78-illegal_cinema\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SESSION 78, ILLEGAL_CINEMA - 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