{"id":6536,"date":"2018-07-13T11:25:03","date_gmt":"2018-07-13T09:25:03","guid":{"rendered":"https:\/\/bulegoa.org\/?p=6536"},"modified":"2019-07-02T21:26:39","modified_gmt":"2019-07-02T19:26:39","slug":"camila-tellez-presentation-building-methodologies-for-an-incipient-architecture","status":"publish","type":"post","link":"https:\/\/bulegoa.org\/en\/camila-tellez-presentation-building-methodologies-for-an-incipient-architecture\/","title":{"rendered":"CAMILA T\u00c9LLEZ. PRESENTATION, \u201cBUILDING. METHODOLOGIES FOR AN INCIPIENT ARCHITECTURE\u201d"},"content":{"rendered":"<p class=\"p1\"><span class=\"s1\">Presentation of <i>Building. Methodologies for An Incipient Architecture, <\/i>a project by Camila T\u00e9llez carried out during her residency in Bulegoa z\/b in June \u2013 July 2018.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Wherever we go, we carry with us the space of our own intimacy, a <i>protohabitation. <\/i>An unknown space inside our own body, but also the space immediately surrounding us. Sometimes the latter space can extend up to several metres away from us, like the electromagnetism of our hearts, which can apparently reach a diameter of up to five metres. Intimacy is a highly physical, flexible, yet invisible space that adapts \u2013sometimes more, sometimes less\u2013 to the places we cohabit. Places where different intimacies relate to one another are superimposed and interwoven. So that my intimacy is no longer mine alone, or yours only yours; we&#8217;ve already met one another on the edges of each and a third intimacy emerges from us, even a fifth or a seventh.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">During my time as a resident in Bulegoa z\/b, <i>we<\/i>, a group of voices, have built <i>2<\/i><\/span><span class=\"s2\"><i><sup>nd<\/sup><\/i><\/span><span class=\"s1\"><i> or 3<\/i><\/span><span class=\"s2\"><i><sup>rd<\/sup><\/i><\/span><span class=\"s1\"><i> Floor<\/i>, a complexity made up of different shared spaces, \u201cfive-minute rooms\u201d, which are superimposed and meet each other. Our tools for constructing them are the gaze, speech, and the space each of these gives rise to. Recorded material will be used as a basis for the collective performance of <i>2<\/i><\/span><span class=\"s2\"><i><sup>nd<\/sup><\/i><\/span><span class=\"s1\"><i> or 3<\/i><\/span><span class=\"s2\"><i><sup>rd<\/sup><\/i><\/span><span class=\"s1\"><i> <\/i>in which several different voices become present.<\/span><\/p>\n<p class=\"p1\"><span class=\"s3\">Performers: Ibon Salvador, Eloisse Louisse, Olatz Otalora and Camila T\u00e9llez.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">My thanks to the participants: Elena Aitzkoa, Myriam Petralanda, Catherine Foulkrod, Usue Arrieta, Maia Villot, Andreas Wutz, Olatz Otalora, Claudia Lorenzo, Miren Jaio, Marion Cruza, Aitor Izagirre, Leire Ugalde and Ibon Salvador.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">Special thanks to other residencies that complete this project: Rosa <\/span><span class=\"s4\">Casado and Luis Fern\u00e1ndez<\/span><span class=\"s1\">, <i>La Casa del Burro<\/i>, Residencia art\u00edstica en Peroblasco, La Rioja; Joel Englund, DAS art residency, Kl\u00e4mmesudden, V\u00e4dd\u00f6 \/ Island, Sweden.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p class=\"p3\"><span class=\"s1\"><b>Camila T\u00e9llez (Santiago, CL, 1982)<\/b>. Lives in Bilbao. Her work is transdisciplinary and investigates performance through writing, photography, drawing, the spaces she inhabits, and invisible relationships with the audience and public in proposals that mediate with different places.<\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">T\u00e9llez has been a resident artist at Bilboarte, Bilbao (2016). She took part in Kalostra Eskola, Donostia-San Sebasti\u00e1n (2015), having studied the MA in Arts Practice and Visual Culture, Museo Nacional Centro de Arte Reina Sof\u00eda\/Universidad Castilla-La Mancha, Madrid (2013). Other residencies include Berl\u00edn, PAStudies #27|Performance Art Studio (2012). She studied Visual Arts at the Universidad Finis Terrae, Santiago de Chile (2004), where she was a professor of Drawing and Art Theory (2004-2013). She has also published in art magazines (<i>Artishock<\/i>, <i>Arte&amp;Cr\u00edtica<\/i> y <i>Esc\u00e1ner Cultural<\/i>).<\/span><\/p>\n<p class=\"p3\"><span class=\"s1\">Other related projects from 2018:<i> 8 habitaciones<\/i> (Eremuak <i>Bi Dos Two<\/i>, exhibition at Azkuna Zentroa, Bilbao); <i>MIRADOR Centro de Investigaci\u00f3n<\/i> (<i>Prototipoak<\/i>. International encounter of new forms in art, Azkuna Zentroa, Bilbao).<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Presentation of Building. Methodologies for An Incipient Architecture, a project by Camila T\u00e9llez carried out during her residency in Bulegoa z\/b in June \u2013 July 2018. Wherever we go, we carry with us the space of our own intimacy, a protohabitation. An unknown space inside our own body, but also the space immediately surrounding us. [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":6667,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[121],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>CAMILA T\u00c9LLEZ. PRESENTATION, \u201cBUILDING. 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