{"id":25410,"date":"2026-09-06T22:16:49","date_gmt":"2026-09-06T20:16:49","guid":{"rendered":"https:\/\/bulegoa.org\/?p=25410"},"modified":"2026-09-06T22:57:07","modified_gmt":"2026-09-06T20:57:07","slug":"d-maini-n-gokul-s-cantoni-s-ferrari-bruised-undivided-backways-to-the-borderlands-access-practices-and-habits","status":"publish","type":"post","link":"https:\/\/bulegoa.org\/en\/d-maini-n-gokul-s-cantoni-s-ferrari-bruised-undivided-backways-to-the-borderlands-access-practices-and-habits\/","title":{"rendered":"D. MAINI, N. GOKUL, S. CANTONI &#038; S. FERRARI: BRUISED, UNDIVIDED, BACKWAYS TO THE BORDERLANDS ACCESS: PRACTICES AND HABITS"},"content":{"rendered":"<p><b>Dalia Maini, Noa Gokul, Saverio Cantoni &amp; Stefano Ferrari:\u00a0<\/b><b><i>Bruised, Undivided, Backways to the Borderlands<\/i><\/b>\u00a0<b><br \/>\n<\/b><\/p>\n<p><b>Date:<br \/>\n<\/b>Friday, 2026, September 25. 7.30 pm<\/p>\n<p><b>Venue:<br \/>\n<\/b>Sarean<br \/>\nPlaza Coraz\u00f3n de Mar\u00eda, 4<br \/>\n48003-Bilbao<\/p>\n<p><b>Access:<br \/>\n<\/b>Wheelchair-accessible entrance and toilets<\/p>\n<p><i>Bruised, Undivided, Backways to the Borderlands<\/i>\u00a0is a performance by Dalia Maini, Noa Gokul, Saverio Cantoni and Stefano Ferrari. It is a commission by Bulegoa z\/b to Saverio Cantoni as part of\u00a0<i>access: practices and habits<\/i>.*<\/p>\n<p><b>Dalia Maini, Noa Gokul, Saverio Cantoni &amp; Stefano Ferrari:\u00a0<\/b><b><i>Bruised, Undivided, Backways to the Borderlands<br \/>\n<\/i><\/b><i>Bruised, Undivided, Backways to the Borderlands<\/i>\u00a0is a performance exploring the entanglement of disability and containment. It is conceived as a sonic fabulation centering messy and relational forms of access.<\/p>\n<p>The performance traces how European borders are not only imposed from the outside, producing the human and the subhuman, but also carried inside our bodies, shaping how we move, sense, relate, and survive. This logic is extended in how medical systems, welfare structures, and bureaucracy \u2013 forms of containment that manage and administer debilitation \u2013 are absorbed, repeated, and rebuilt between one another.<\/p>\n<p>Rather than offering resolution, the sonic fabulation leaves space for collective reflection, where borders can be felt, questioned, and momentarily dissolved. It embraces incompleteness, inviting the audience to become witnesses, accomplices, and emissaries of a slow trespassing \u2013 moving toward a borderland where those who refuse containment and those rendered uncontainable might meet.<\/p>\n<p>The performance convenes the aesthetics of access by offering multiple ways of experiencing the work collectively, through mixed languages, sonic practices, and sensory spaces. A detailed access statement will be shared a couple of weeks before the event.<\/p>\n<p><b>BIOS<\/b><\/p>\n<p><b>Dalia Maini<\/b>\u00a0is a writer, editor, and messy organizer. Their work operates at the nexus of emancipatory politics of bodies in space, social disobedience, and civic creativity. Their research explores the sociopolitical dimensions of affect: how emotions function as sites of both oppression and resistance. They are the editor-in-chief of the street newspaper Arts of the Working Class.<\/p>\n<p><b>Noa Gokul\u00a0<\/b>is a multi-medium artist, performer, composer, and healing educator, born in Oakland, California, and currently based in Berlin, Germany. Her work spans sound art, music, performance, painting, and video. Focusing on experimentation and collaboration, Noah\u2019s practice weaves together art, healing, and liberation, and she has participated in a range of exhibitions, performances, art collectives, and speaking engagements in Europe and across the U.S.<\/p>\n<p><b>Saverio Cantoni\u00a0<\/b>is a white-passing cyborg, disabled \u2013 oral Deaf \u2013 artist based in Berlin. \u200b\u200bSituating their practice in sonics, from haptic experiences to assistive technologies, Saverio choreographs sounds in several forms, mixing texts, visuals, and audible experiences. In an ongoing exploration of the \u201caesthetics of access,\u201d Saverio\u2019s practice employs multiple materials to allow audiences to approach their work from different access points.<\/p>\n<p><b>Stefano Ferrari,<\/b>\u00a0aka\u00a0<b>Menion<\/b>, is an Italian guitarist, composer, and producer based in Berlin. His work blends visionary electronic music with glitch, ambient, and experimental post-rock influences. He approaches sound as a descriptive narrative, using the guitar primarily as the source of a transformative process that reshapes its identity through electronic processing. Identity and its transformation become the poetic key \u2013 as well as a compositional technique \u2013 for immersing oneself in a broader sonic context that outlines a soundscape which, seamlessly, shifts between density and rarefaction, between distance and proximity. His influences include Shellac, Sonic Youth, Christian Fennesz, Alva Noto, Arvo P\u00e4rt and Olivier Messiaen.<\/p>\n<p>*<i>The opposite of silence is a shockwave<\/i>\u00a0is commissioned by Bulegoa z\/b as part of\u00a0<i>access: practices and habits<\/i>, a long-term project in collaboration with If I Can\u2019t Dance, I Don\u2019t Want To Be Part Of Your Revolution (Amsterdam, The Netherlands) and Askeaton Contemporary Arts (Askeaton, Ireland), in which we aim to develop accessibility as a creative practice at the heart of our work as arts organisations.\u00a0<i>Access: practices and habits\u00a0<\/i>is co-funded by the European Union.<\/p>\n<p><a href=\"http:\/\/practicesandhabits.org\/\">practicesandhabits.org<\/a><\/p>\n<p><img loading=\"lazy\" class=\"alignnone  wp-image-25204\" src=\"http:\/\/bulegoa.org\/web\/wp-content\/uploads\/2026\/04\/EN_Co-fundedbytheEU_RGB_BLACK-Outline.png\" alt=\"\" width=\"287\" height=\"64\" srcset=\"https:\/\/bulegoa.org\/web\/wp-content\/uploads\/2026\/04\/EN_Co-fundedbytheEU_RGB_BLACK-Outline.png 4119w, https:\/\/bulegoa.org\/web\/wp-content\/uploads\/2026\/04\/EN_Co-fundedbytheEU_RGB_BLACK-Outline-768x171.png 768w, https:\/\/bulegoa.org\/web\/wp-content\/uploads\/2026\/04\/EN_Co-fundedbytheEU_RGB_BLACK-Outline-1536x343.png 1536w, https:\/\/bulegoa.org\/web\/wp-content\/uploads\/2026\/04\/EN_Co-fundedbytheEU_RGB_BLACK-Outline-2048x457.png 2048w, https:\/\/bulegoa.org\/web\/wp-content\/uploads\/2026\/04\/EN_Co-fundedbytheEU_RGB_BLACK-Outline-400x89.png 400w\" sizes=\"(max-width: 287px) 100vw, 287px\" \/><\/p>\n<p>Co-funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or Creative Europe. Neither the European Union nor the granting authority can be held responsible for them.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dalia Maini, Noa Gokul, Saverio Cantoni &amp; Stefano Ferrari:\u00a0Bruised, Undivided, Backways to the Borderlands\u00a0 Date: Friday, 2026, September 25. 7.30 pm Venue: Sarean Plaza Coraz\u00f3n de Mar\u00eda, 4 48003-Bilbao Access: Wheelchair-accessible entrance and toilets Bruised, Undivided, Backways to the Borderlands\u00a0is a performance by Dalia Maini, Noa Gokul, Saverio Cantoni and Stefano Ferrari. It is a [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":25402,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[121],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>D. MAINI, N. GOKUL, S. CANTONI &amp; S. 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