{"id":25302,"date":"2026-04-27T17:46:23","date_gmt":"2026-04-27T15:46:23","guid":{"rendered":"https:\/\/bulegoa.org\/?p=25302"},"modified":"2026-04-27T17:46:23","modified_gmt":"2026-04-27T15:46:23","slug":"session-121-illegal-_cinema","status":"publish","type":"post","link":"https:\/\/bulegoa.org\/en\/session-121-illegal-_cinema\/","title":{"rendered":"SESSION 121, ILLEGAL _CINEMA"},"content":{"rendered":"<p>Screening of\u00a0<b><i>Take One<\/i><\/b>\u00a0(Wakefield Poole, EEUU, 1977), proposed by <b>Daniel\u00a0Alegrete<\/b>, followed by a discussion.<\/p>\n<p><i>Take One<\/i>\u00a0is described as a \u201cdocufantasy\u201d set in San Francisco in the late 1970s. Poole invites several gay men to describe their fantasies in front of the camera and to subsequently embody them in scenes constructed within the process of filming itself.<\/p>\n<p>The film is situated between documentary, fiction and experiment, making cinema into a device for translation between desire, story and image. What is imagined, what is stated, and what is filmed never coincide completely, and the film\u2019s strength arises from that discrepancy.<\/p>\n<p>The director\u2019s apartment serves as a domestic set where fantasies are materialised, while the city of San Francisco and its cinemas articulate the collective dimension of pornography as a shared experience. The continuum between the intimate and the public, which traverses the entire film, is displayed between these two spaces.<\/p>\n<p>In the final analysis, <i>Take One<\/i>\u00a0is a metacinematographic reflection on how cinema not only represents desire, but also produces and organises it, returning it transformed into images.<\/p>\n<p><b>Daniel Alegrete<\/b> (Madrid, 1993) is a filmmaker who was trained at FilmFactory (Sarajevo), MasterLAV and the El\u00edas Querejeta Zine Eskola. Since 2021 he has lived in Bilbao, where he developed the <i>Fuera de campo<\/i> programming project and founded the production company Lapisl\u00e1zuli Films. His work explores queer issues and horror and has been shown at festivals and shows like PROYECTOR or DOC Buenos Aires.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Screening of\u00a0Take One\u00a0(Wakefield Poole, EEUU, 1977), proposed by Daniel\u00a0Alegrete, followed by a discussion. Take One\u00a0is described as a \u201cdocufantasy\u201d set in San Francisco in the late 1970s. Poole invites several gay men to describe their fantasies in front of the camera and to subsequently embody them in scenes constructed within the process of filming itself. [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":25303,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[38],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SESSION 121, ILLEGAL _CINEMA - Bulegoa<\/title>\n<meta name=\"description\" content=\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bulegoa.org\/en\/session-121-illegal-_cinema\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SESSION 121, ILLEGAL _CINEMA - Bulegoa\" \/>\n<meta property=\"og:description\" content=\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/bulegoa.org\/en\/session-121-illegal-_cinema\/\" \/>\n<meta property=\"og:site_name\" content=\"Bulegoa\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/bulegoazb\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-04-27T15:46:23+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/bulegoa.org\/web\/wp-content\/uploads\/2026\/04\/TAKE-1-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2048\" \/>\n\t<meta property=\"og:image:height\" content=\"1536\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Silvia\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@bulegoazb\" \/>\n<meta name=\"twitter:site\" content=\"@bulegoazb\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/bulegoa.org\/en\/session-121-illegal-_cinema\/\",\"url\":\"https:\/\/bulegoa.org\/en\/session-121-illegal-_cinema\/\",\"name\":\"SESSION 121, ILLEGAL _CINEMA - 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