Screening of Perpetual Disorder<\/i><\/b> (Portugal, Spain, 2024, 5 min) by Jo\u00e3o Carlos Pinto, Lima<\/i><\/b> (Peru, 2025, 4 min) by Biviana Chauchi, Foyer<\/i><\/b> (Tunisia, France, 2016, 31 min) by Isma\u00efl Bahri and La Tarara<\/i><\/b> (Spain, 2021, 14 min) by \u00c1lvaro Feldman. 8mm films in digital format, proposed by Sof\u00eda Tudela<\/b>.<\/p>\n
The city as a residential space triumphed a long time ago and imposed itself on any other form of settlement. Its expansion resulted in the transformation of natural landscapes prior to the Industrial Revolution, with each historical stage leaving its imprint on the territory. It is still not uncommon in cities to see areas in a state of ruin, with narrow streets, stone bridges and buildings with arches, coexisting at the same time with steel and concrete.<\/p>\n
People who travel on foot often pause in the city\u2019s old quarter, which they recognise as a place for escape or retirement, while the more modernised part of their daily route is the area of work and commuting.<\/p>\n
But, despite the recent tendency of urban standardisation, the forms of urban life continue to be heterogeneous. The straight line that characterises most of our streets has not been completely imposed; some everyday routes continue to be improvised and in the urban space we still long to find \u201ca house for each family; and with each house a vegetable plot and a garden\u201d (Arturo Soria y Mata, 1882).<\/p>\n
The films selected set out to portray these other forms of existence that reside in the blind spots of a city and that remain outside our everyday forms of understanding urban life. Starting from a personal view of their setting, the filmmakers not only create a narrative for themselves, but open themselves to what is happening around them in their coexistence with the urban environment.<\/p>\n
Sof\u00eda Tudela<\/b> (Ja\u00e9n, 1996) is a visual artist and cultural programmer. She holds a Master\u2019s Degree in M\u00e1ster.LAV Laboratorio audiovisual de creaci\u00f3n y pr\u00e1ctica contempor\u00e1nea (2021-22), a Master\u2019s Degree in Artes y Profesiones Art\u00edsticas, Escuela SUR y C\u00edrculo de Bellas Artes (2019-21) and a Master\u2019s Degree in Gesti\u00f3n Cultural UC3M (2018-19). As a cultural programmer she has taken part in ESQUEJES. Festival de cine expandido<\/i> (sesi\u00f3n \u201cEste ojo sin cuerpo\u201d<\/i>, 2025<\/i>) and in coordinating the Artistic Residence of alRaso (2024- 25) together with Ana Dom\u00ednguez.<\/p>\n
*The realisation of this activity has benefitted from the collaboration of the Fondo F\u00edlmico del Festival de Cine Africano FCAT<\/i>.<\/p>\n","protected":false},"excerpt":{"rendered":"
Screening of Perpetual Disorder (Portugal, Spain, 2024, 5 min) by Jo\u00e3o Carlos Pinto, Lima (Peru, 2025, 4 min) by Biviana Chauchi, Foyer (Tunisia, France, 2016, 31 min) by Isma\u00efl Bahri and La Tarara (Spain, 2021, 14 min) by \u00c1lvaro Feldman. 8mm films in digital format, proposed by Sof\u00eda Tudela. The city as a residential space […]<\/p>\n","protected":false},"author":6,"featured_media":25101,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[38],"tags":[],"acf":[],"yoast_head":"\n