{"id":23074,"date":"2025-06-30T15:01:15","date_gmt":"2025-06-30T13:01:15","guid":{"rendered":"https:\/\/bulegoa.org\/?p=23074"},"modified":"2025-06-30T17:45:38","modified_gmt":"2025-06-30T15:45:38","slug":"session-116-illegal-_cinema","status":"publish","type":"post","link":"https:\/\/bulegoa.org\/en\/session-116-illegal-_cinema\/","title":{"rendered":"SESSION 116, ILLEGAL_CINEMA"},"content":{"rendered":"<p>Projection of<i>\u00a0<\/i><b><i>Postscript<\/i><\/b> by Parastoo Anoushahpour, Faraz Anoushahpour and Ryan Ferko (Iran, Canada,\u00a02024) and\u00a0<b><i>Descartes\u00a0<\/i><\/b>by Alejandro Alvarado and Concha Barquero (Spain,\u00a02021). Proposed by <b>Paola Buontempo<\/b>, followed by a discussion.<\/p>\n<p>The history of cinema is also the history of the destruction of moving images. While cinema lives in an eternal present, its images are condemned to fade away, to be hidden and lost. Insisting on errors, persisting in the face of what is incomplete, attaching a text to the filmic body as an addendum, an appendix or a post scriptum.<\/p>\n<p>In\u00a0<b><i>Postscript\u00a0<\/i><\/b>(Parastoo Anoushahpour, Faraz Anoushahpour and Ryan Ferko, 2024), the shots of an accursed film by Albert Lamorisse literally come up to the surface. An airplane accident, a tin underwater and a notebook as a guide for reconstructing a posthumous work. Putting the pieces together to decipher those erasures, creating fables between counterpoised myths and narratives.<\/p>\n<p>260 negative rolls of 16 mm film found in the Filmoteca Espa\u00f1ola, the leftovers of a rebel film:\u00a0<i>Roc\u00edo\u00a0<\/i>by Fernando Ruiz Vergara, judicially seized in Spain following the abolition of censorship. <b><i>Descartes\u00a0<\/i><\/b>(Alejandro Alvarado, Concha Barquero, 2021) recovers those rejected shots, expelled from the final version. A piercing story emerges from those wounded, indignant and profane images.<\/p>\n<p><b>Paola Buontempo<\/b>\u00a0is an Argentinian filmmaker, lecturer and film programmer. She graduated in Audiovisual Arts at the Universidad Nacional de La Plata (UNLP). She is currently studying for the Master\u2019s Degree in Cinematographic and Audiovisual Archive at the Elias Querejeta Zine Eskola (EQZE). She programmed Festifreak \u2013 Festival Internacional de Cine Independiente de La Plata (Argentina). Between 2018 and 2023 she was a member of the programming team of the Festival Internacional de Cine de Mar del Plata. At present, she is a member of the selection committee of Documenta Madrid.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Projection of\u00a0Postscript by Parastoo Anoushahpour, Faraz Anoushahpour and Ryan Ferko (Iran, Canada,\u00a02024) and\u00a0Descartes\u00a0by Alejandro Alvarado and Concha Barquero (Spain,\u00a02021). Proposed by Paola Buontempo, followed by a discussion. The history of cinema is also the history of the destruction of moving images. While cinema lives in an eternal present, its images are condemned to fade away, [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":23067,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[38],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>SESSION 116, ILLEGAL_CINEMA - Bulegoa<\/title>\n<meta name=\"description\" content=\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bulegoa.org\/en\/session-116-illegal-_cinema\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SESSION 116, ILLEGAL_CINEMA - 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