{"id":17074,"date":"2022-05-17T18:37:16","date_gmt":"2022-05-17T16:37:16","guid":{"rendered":"https:\/\/bulegoa.org\/?p=17074"},"modified":"2022-10-28T14:03:44","modified_gmt":"2022-10-28T12:03:44","slug":"itziar-okariz-working-with-material-1","status":"publish","type":"post","link":"https:\/\/bulegoa.org\/en\/itziar-okariz-working-with-material-1\/","title":{"rendered":"ITZIAR OKARIZ: WORKING WITH MATERIAL 1"},"content":{"rendered":"

First session of the study group <\/b>Itziar Okariz: Trabajar con material <\/i><\/b>(<\/b>Working with Material<\/i><\/b>)<\/b>.<\/i><\/b> Bulegoa z\/b\u2019s space will be open to the public after the first working session.<\/b><\/p>\n

The artist has installed materials belonging to the following works:<\/b><\/p>\n

Variations sur le m\u00eame t\u2019aime<\/i><\/b> (1990-1991). Photographs.
\n<\/b>Variations sur le m\u00eame t\u2019aime<\/i><\/b> (1992). Photographs.
\n<\/b>9 and 7.5 cm Stitches of Human Hair on Skin <\/i><\/b>(1993). Photographs.
\n<\/b>Red Light<\/i><\/b> (1995). Video footage.
\n<\/b>Red Light (Saltando en el estudio de Marta)<\/i><\/b> (1995). Photographs.<\/b><\/p>\n

DATES AND HOURS OPEN TO THE PUBLIC
\n<\/b>May 25, 2022, from 7:00 to 8:30 pm
\n<\/b>May 26 & 27, 2022, from 5:00 to 8:00 pm<\/b><\/p>\n

\u201cObsession is the most durable form of intellectual capital\u201d.<\/p>\n

(Eve Kosofsky Sedgwick: Touching Feeling. Affect, Pedagogy, Performativity<\/i>, 2003)<\/p>\n

In this series of encounters with a study group, Itziar Okariz wishes to open up and utilize material from her archive, many of them in currently obsolete formats. Some of these materials were discarded during the editing that takes place during any process of formalisation and were never presented publicly. The purpose of the study group is to look back at and think about the material \u2013sculptures, photos, videos, audio material, drawings etc.\u2013 from a different moment and circumstances to those it was originally made in.<\/p>\n

Trabajar con material <\/i>explores the vitality of material produced over thirty years of artistic practice, characterized by a principle of economy, by insisting and returning again and again to a limited catalogue of signs and references.<\/p>\n

Itziar Okariz<\/b> is an artist. Her work is characterised by the production of actions that question norms governing language and the production of signs that defines us as subjects. Solo exhibitions and performances include: Las estatuas<\/i>, Museo Fundaci\u00f3n Oteiza (2021); Shanghai Biennale (2020); Perforated by<\/i>, with Sergio Prego, Spanish Pavilion, 58 Venice Biennale (2019),\u00a0Respiraci\u00f3n y otros sonidos<\/i>, Centre d\u2019art la Panera, Lleida (2018);\u00a0I Never Said Umbrella<\/i>, San Sebastian (2018);\u00a0Una construcci\u00f3n\u2026<\/i>, CA2M Centro de Arte 2 de Mayo, Madrid (2017);\u00a0Itziar Okariz<\/i>, Kunsthaus Baselland, Basel (2017);\u00a0DS<\/i>, Ars Parcours, Art Basel, Basel (2017);\u00a0Oscuros como de noche<\/i>, Galer\u00eda CarrerasM\u00fagica, Bilbao (2017);\u00a0Diario de sue\u00f1os. Septiembre<\/i>, Galer\u00eda etHall, Barcelona (2016);\u00a0Caja Negra\/Cubo Blanco<\/i>, CA2M Centro de Arte 2 de Mayo, Madrid (2014);\u00a0Outside of Black Box and White Cube<\/i>, Keramikvonschaedler, Nendeln, Liechtenstein (2014);\u00a0Irrintzi Repetition<\/i>, Sesi\u00f3n 5. Secci\u00f3n Irregular, Mercat de les Flors, Barcelona (2013);\u00a0Un n\u00famero de acciones determinadas<\/i>, MUSAC, Leon (2013);\u00a0Uno, uno, dos, uno<\/i>, Galer\u00eda CarrerasM\u00fagica, Bilbao (2012);\u00a0Contrarywise<\/i>, Museo Picasso, Barcelona (2010);\u00a0and Ghost Box<\/i>, sala rekalde, Bilbao (2008). In 2022 she published Sue\u00f1os<\/i> (Dreams<\/i>, Caniche editorial, Bilbao).<\/p>\n

This study group is part of the research project\u00a0<\/b>Trabajar con material: archivos de artista en el contexto vasco,\u00a0<\/i><\/b>led by <\/b>El\u00edas Querejeta Zine Eskola<\/b><\/a> with the support of a projects grant from KsiGune.<\/b><\/p>\n

 <\/p>\n

\"\"<\/p>\n

\u00a0<\/b><\/p>\n

 <\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

First session of the study group Itziar Okariz: Trabajar con material (Working with Material). Bulegoa z\/b\u2019s space will be open to the public after the first working session. The artist has installed materials belonging to the following works: Variations sur le m\u00eame t\u2019aime (1990-1991). Photographs. Variations sur le m\u00eame t\u2019aime (1992). Photographs. 9 and 7.5 […]<\/p>\n","protected":false},"author":6,"featured_media":17154,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[39,202],"tags":[],"acf":[],"yoast_head":"\nITZIAR OKARIZ: WORKING WITH MATERIAL 1 - Bulegoa<\/title>\n<meta name=\"description\" content=\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bulegoa.org\/en\/itziar-okariz-working-with-material-1\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ITZIAR OKARIZ: WORKING WITH MATERIAL 1 - Bulegoa\" \/>\n<meta property=\"og:description\" content=\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/bulegoa.org\/en\/itziar-okariz-working-with-material-1\/\" \/>\n<meta property=\"og:site_name\" content=\"Bulegoa\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/bulegoazb\/\" \/>\n<meta property=\"article:published_time\" content=\"2022-05-17T16:37:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-10-28T12:03:44+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/bulegoa.org\/web\/wp-content\/uploads\/2022\/05\/IMG_9637-copy-1000x563.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"563\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Silvia\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@bulegoazb\" \/>\n<meta name=\"twitter:site\" content=\"@bulegoazb\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/bulegoa.org\/en\/itziar-okariz-working-with-material-1\/\",\"url\":\"https:\/\/bulegoa.org\/en\/itziar-okariz-working-with-material-1\/\",\"name\":\"ITZIAR OKARIZ: WORKING WITH MATERIAL 1 - 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