Session with Lara Garc\u00eda D\u00edaz on the closure of her residency at Bulegoa z\/b. Her proposal Encarnar los umbrales <\/i>was selected with Enviolet\u00e1 <\/i>by Javiera de la Fuente in our 2020 call for residents. The jury was comprised by Alejandro Alonso D\u00edaz (curator, director of fluent), Miren Arenzana (artist) and the members of Bulegoa z\/b.<\/p>\n
The results of the writing workshop on 24 February will be open for public viewing from 16.30 to 20.00, 2-4 March.<\/b><\/p>\n
To take part in the face-to-face session on 5 March, please contact bulegoa@bulegoa.org<\/b><\/p>\n
CAPACITY:<\/b> 15 maximum<\/p>\n
ENCARNAR LOS UMBRALES
\n<\/b>Encarnar los Umbrales<\/i> was set up through a writing group. Using thinking on the mechanics of fractures, astrology, and systematic facilitation, writing functions as a collective tool through which to investigate the philosophical concept of \u201cthresholds of sustainability\u201d put forward by Rosi Braidotti. Braidotti considers that sustainability, seen as the art of building thresholds that will allow us to continue the common potentiality, is where recognising the limits of our own bodies’ and subjectivities’ fatigue becomes a crucial issue for changing the relations and connections that sustain us. Although the body should not be understood as a merely biological entity, but as a codified one \u2013\u201can interface, a threshold, a field of incessant forces into which many different codes are written\u201d\u2013 recognising its limits and fractures becomes a moral and political demand for the construction of the common.<\/p>\n
We then have to consider what mechanisms can be potentiated by each singularity in such a way that the whole will not explode. This question can be framed within the issues that arose in the writing workshop and were dealt with from a collective, embodied stance. The traces of the workshop can be seen as mechanisms for research in the space of Bulegoa z\/b, through which it becomes possible to shape and confabulate future enunciations.<\/p>\n
Lara Garc\u00eda D\u00edaz\u00a0<\/b>is a social theoretician, co-founder of the feminist cultural collective Larre and researcher at the Antwerp Research Institute for the Arts (University of Antwerp). Her work addresses the politics of precarity in relation to cultural practices in the commons through feminist theory and theories of caring. Lara has contributed to books such as\u00a0What\u2019s the Use<\/i>\u00a0(Valiz, 2016),\u00a0Commonism\u00a0<\/i>(Valiz, 2018),\u00a0La cuesti\u00f3n es ir tirando<\/i>\u00a0(La F\u00e1brica, 2019), and\u00a0Textus<\/i>\u00a0(PAAC, 2020) as well as academic and cultural magazines including\u00a0Frame\u00a0<\/i>(Utrecht University, 2017),\u00a0Arte y Pol\u00edticas de la Identidad\u00a0<\/i>(Universidad de Murcia, 2018),\u00a0PUBJournal\u00a0<\/i>(Sandberg University, 2019),\u00a0Terremoto<\/i>\u00a0(M\u00e9xico, 2020) and\u00a0Vesper\u00a0<\/i>(Universidad de Venecia, 2020). As a cultural researcher, she has taken part in Mostra Internazionale di Architettura (Venice, 2018), Integrated (Antwerp, 2019), Oslo Biennial (Oslo, 2019), Zona MACO (Mexico City, 2020), and the Bangkok Biennial (Thailand, 2021).<\/p>\n
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Session with Lara Garc\u00eda D\u00edaz on the closure of her residency at Bulegoa z\/b. Her proposal Encarnar los umbrales was selected with Enviolet\u00e1 by Javiera de la Fuente in our 2020 call for residents. The jury was comprised by Alejandro Alonso D\u00edaz (curator, director of fluent), Miren Arenzana (artist) and the members of Bulegoa z\/b. […]<\/p>\n","protected":false},"author":6,"featured_media":15198,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[125],"tags":[],"acf":[],"yoast_head":"\n