{"id":1315,"date":"2013-11-03T00:00:00","date_gmt":"2013-11-02T23:00:00","guid":{"rendered":"https:\/\/bulegoa.org\/web\/18-pictures-and-18-stories-third-stop-of-performance-in-resistance-by-isidoro-valcarcel-medina-at-fundacio-tapies-barcelona\/"},"modified":"2017-09-11T12:47:51","modified_gmt":"2017-09-11T10:47:51","slug":"18-pictures-and-18-stories-third-stop-of-performance-in-resistance-by-isidoro-valcarcel-medina-at-fundacio-tapies-barcelona","status":"publish","type":"post","link":"https:\/\/bulegoa.org\/en\/18-pictures-and-18-stories-third-stop-of-performance-in-resistance-by-isidoro-valcarcel-medina-at-fundacio-tapies-barcelona\/","title":{"rendered":"\u201c18 pictures and 18 stories\u201d: third stop of \u201cPerformance in Resistance\u201d by Isidoro Valc\u00e1rcel Medina at Fundaci\u00f3 T\u00e0pies, Barcelona"},"content":{"rendered":"<p><em>18 pictures and 18 stories<\/em> is a project of Bulegoa z\/b,  realized in collaboration with If I Can\u2019t Dance I Don\u2019t Want To Be Part  Of Your Revolution of Amsterdam, that presents and accompanies <em>Performance in Resistance<\/em> by Isidoro Valc\u00e1rcel Medina through 18 stories and on a journey to 6 cities.<\/p>\n<p>In Autumn 2010, If I Can\u2019t Dance invited Valc\u00e1rcel Medina and Bulegoa z\/b to take part in <em>Performance in Residence,<\/em>  a program that studies and researches performances from the past from  the perspective of current artistic practice, and that includes the  participation of Fl\u00e1vio de Carvalho e Inti Guerrero, Guy de Cointet and  Marie de Brugerolle, Matt Mullican and Vanessa Desclaux. Valc\u00e1rcel  Medina responded to the invitation with <em>Performance in Resistance,<\/em>  18 photographs mounted on passe-partout that show as many actions  carried out by the artist in different cities between 1965 and 1993. The  resulting set of images blurs the limits between the lived moment and  the document, between what happened and fiction. <em>Performance in Resistance<\/em>  also shows the guiding principle of Valc\u00e1rcel Medina\u2019s practice, his  refusal to submit to the conventions of any institution or discipline,  including the discipline of history. Such performative resistance arises  from the artist\u2019s conviction that his only material is his historical  time, and that the imagination \u201chides a wealth which drives the world\u201d.<\/p>\n<p>18 pictures and 18 stories conceives investigation as an imaginative  practice which can transform and reactivate its objects of study. The  work takes the form of an itinerant framework which produces narratives.  18 people have been invited to take one of the 18 photographs that make  up<em> Performance in Resistance <\/em>and propose a story. The first  stop of this specifically-conceived work by Valc\u00e1rcel Medina was the  Hetveem Theater, Amsterdam, in February 2012. There, three narrators,  Moosje Goosen, Emilio Moreno and Esteban Pujals Gesal\u00ed, told 3 stories  based on 3 of the set of photographs: <em>Campa\u00f1a 1969<\/em> (<em>Campaign 1969,<\/em> Madrid, Murcia, 1969) <em>S\/T. Herramientas de Precisi\u00f3n<\/em> (<em>Untitled. Precision Tools<\/em>, Milan, 1987) and <em>136 manzanas de Asunci\u00f3n<\/em> (<em>136 blocks of Asunci\u00f3n,<\/em>  Asunci\u00f3n, 1976). At the second stop at Bulegoa z\/b, Jos\u00e9 D\u00edaz Cuy\u00e1s,  Jaime Vallaure and Azucena Vieites told 3 stories based on <em>Pe\u00f3n al Rey<\/em> (<em>King\u2019s Pawn Game,<\/em> Murcia, 1965), <em>El discurso sigue\u2026 su curso<\/em> (<em>The discourse continues&#8230; its course,<\/em> Granada, 1993) and <em>Retratos callejeros<\/em> (<em>Street portraits,<\/em>  Barcelona, 1975). At the third stop at Fundaci\u00f3 T\u00e0pies in Barcelona  Nuria Enguita Mayo, Aimar P\u00e9rez Gal\u00ed and Manuel Mart\u00ednez Ribas will tell  3 stories based on <em>El cuadro<\/em> (<em>The Painting,<\/em> Madrid, 1969), <em>La Visita<\/em> (<em>The Visit,<\/em> Various cities, 1974) and <em>El Sena por Par\u00eds<\/em> (<em>The Seine Through Paris,<\/em> Paris, 1975). After Amsterdam, Bilbao and Barcelona, <em>Performance in Resistance<\/em>  will travel to CAC Bretigny, Bretigny, BNV Producciones, Seville,  Playground Festival of STUK, Leuven and the Museu de Arte Contempor\u00e2nea,  Universidade de S\u00e3o Paulo. Each place will host 3 stories, making up a  total of 18.<\/p>\n<p><strong>Nuria Enguita Mayo  <\/strong>(Madrid 1967). She is co-editor of <em>Afterall Journal <\/em>and a member of the board of directors of <em>arteypensamiento<\/em> at the Universidad Internacional de Andaluc\u00eda \u2013 UNIA, where she runs <em>Narrativas de Fuga,<\/em>  a programme of seminars with artists, including Alice Creischer,  Eduardo Molinari\/Archivo Caminante and Pedro Costa. She is co-curator of  the <em>Encuentro Internacional de Medell\u00edn (MDE11)<\/em>, and is  currently working on a retrospective exhibition of Luis Claramunt for  MACBA\/Museu d\u2019Art Contemporani de Barcelona. She is cultural advisor for  the Basque Government. In the last two years she has curated  exhibitions of Eul\u00e0lia Valldosera and Ibon Aranberri at the MNCARS-Museo  Nacional Centro de Arte Reina Sof\u00eda, Madrid.<\/p>\n<p>From June 1998 to September 2008, she was chief curator at the  Fundaci\u00f3 Antoni T\u00e0pies where she was responsible for exhibitions of  Chris Marker, Ren\u00e9e Green, Eul\u00e0lia Valldosera, Victor Burgin, Asger  Jorn, Sanja Ivekovic, Pedro G. Romero, Ibon Aranberri, Ana Maria  Maiolino, Fernando Bryce and Steve McQueen among others, as well as  seminars and film and video cycles. She has directed or taken part in  projects at there such as Archive Cultures; <em>Contemporay Arab Representations,<\/em> co-curated with Catherine David, <em>Tour-isms. The Defeat of Dissent<\/em> and <em>Urban Imaginaries from America Latina,<\/em>  directed by Armando Silva. She graduated in History and Art Theory at  the Universidad Aut\u00f3noma de Madrid in 1991. From 1991 to 1998 she was  curator at IVAM-Instituto Valenciano de Arte Moderno, Valencia, with  Vicente Todol\u00ed, where she was responsible for exhibitions of Cildo  Meireles and Juan Downey, among many others. Her association with  Fundaci\u00f3 Antoni T\u00e0pies in Barcelona began in 1996 with her work as  joint-curator of the Lygia Clark exhibition (Travelling show to  Marseille, Brussels, and Rio de Janeiro). In 1998 she curated the group  exhibition <em>Scattered Affinities<\/em> in Apex, New York and Fundaci\u00f3n  Telef\u00f3nica in Madrid, and selected a series of films and videos from  the sixties and seventies for the Museu Serralves Collection. In 2002  she was a member of the curatorial team of Manifesta 4, Frankfurt. For  the last twenty years she has been active in writing in several  platforms as well as in lecturing in Spain and other Europe and Latin  America, both in educational and museum contexts. She has directed  seminars and other courses in universities on curating and other topics.<\/p>\n<p><strong>Aimar P\u00e9rez Gal\u00ed <\/strong>(Barcelona, 1982). Aimar works in  the field of dance and performing arts as a dancer, performer,  pedagogue, maker and writer. Graduated by the High School of Arts of  Amsterdam, he has worked in The Netherlands for a few years and  currently he develops his professional career in Spain. His work moves  through the research of the relations between dance, movement, pedagogy  and the development of new process like approaches towards the  performative practice. His last performance pieces include <em>The Pandora Project,<\/em> <em>Declarando Amor<\/em> and <em>The Golden Variations.<\/em>  He collaborates and has collaborated with artists such as Xavier Le  Roy, Nicole Beutler, Nora Heilmann, Andrea Bozi\u00e7, David Zambrano and  Silvia Sant Funk. He is currently a member of the collective Las  Calaveras de Cher, co-responsible of Espacio Pr\u00e1ctico and associated  artist of La Poderosa.<\/p>\n<p><strong>Manuel Mart\u00ednez Ribas<\/strong> (Barcelona, 1965). Manuel is a  lawyer specialized in Intellectual Property and Information Technology  law, and has broad experience, since 1991 when he co-founded his own  legal practice, in legal transactions and litigation relating to  copyright, computers, privacy and e-commerce issues, including  electronic invoicing, DRMS, phishing, corporate governance liability,  RFID, computer forensics and open source \/ free software. At national  and international level, he has not only participated in various R+D  projects, but also written and lectured extensively on all aspects of  Intellectual Property and Information Technology legislation. He has  been speaker in the 3rd International GPLv3 conference and, for 5 years,  at the Internet Global Congress. He also has experience as a music  performer.<\/p>\n<p><em>18 pictures and 18 stories <\/em>is co-produced by BNV Producciones, Seville; CAC Br\u00e9tigny, Greater Paris; If I Can&#8217;t Dance, I Don&#8217;t Want To Be Part Of Your Revolution, Amsterdam; the Museum of Contemporary Art of the University of S\u00e3o Paulo (MAC USP); Playground Festival in STUK\/Museum M, Leuven; T\u00e0pies Foundation, Barcelona; Tate Modern, London; and Het Veem Theater, Amsterdam.<\/p>\n<p>The publication and the performances are realized with the support of <em>Corpus: a network for performance practice<\/em> financed by the European Union.<\/p>\n<p><span class=\"inline inline-left\"><img loading=\"lazy\" width=\"300\" height=\"96\" class=\"image image-thumbnail \" title=\"\" alt=\"\" src=\"https:\/\/bulegoa.org\/sites\/default\/files\/images\/EU_flag_cult_EN_BW.thumbnail.jpeg\" \/><\/span><br \/>\n\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"<p>18 pictures and 18 stories is a project of Bulegoa z\/b, realized in collaboration with If I Can\u2019t Dance I Don\u2019t Want To Be Part Of Your Revolution of Amsterdam, that presents and accompanies Performance in Resistance by Isidoro Valc\u00e1rcel Medina through 18 stories and on a journey to 6 cities. In Autumn 2010, If [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":3458,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[40],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201c18 pictures and 18 stories\u201d: third stop of \u201cPerformance in Resistance\u201d by Isidoro Valc\u00e1rcel Medina at Fundaci\u00f3 T\u00e0pies, Barcelona - Bulegoa<\/title>\n<meta name=\"description\" content=\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bulegoa.org\/en\/18-pictures-and-18-stories-third-stop-of-performance-in-resistance-by-isidoro-valcarcel-medina-at-fundacio-tapies-barcelona\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201c18 pictures and 18 stories\u201d: third stop of \u201cPerformance in Resistance\u201d by Isidoro Valc\u00e1rcel Medina at Fundaci\u00f3 T\u00e0pies, Barcelona - 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