{"id":1303,"date":"2016-11-02T00:00:00","date_gmt":"2016-11-01T23:00:00","guid":{"rendered":"https:\/\/bulegoa.org\/web\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/"},"modified":"2017-09-11T12:48:42","modified_gmt":"2017-09-11T10:48:42","slug":"pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come","status":"publish","type":"post","link":"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/","title":{"rendered":"Pedro G. Romero, Filiep Tacq: \u201cUna pat\u00e1 a los dados\u2026\u201d\/ A Kick in the Die. A preliminary conversation, a preface, an introduction. Session twenty-two, \u201cThe Book to Come\u201d."},"content":{"rendered":"

\"\"<\/span><\/p>\n

St\u00e9phane Mallarm\u00e9’s poem Un Coup de d\u00e9s jamais n\u2019abolir\u00e1 le hazard<\/em> was published posthumously in 1914 by Gallimard. It was read out, interpreted and rewritten by Marcel Broodthaers in 1969, and is being used as a departure point for a dance by Isra\u00e9l Galv\u00e1n, flamenco bailaor<\/em>. This session, \u201cUna patada a los dados,\u201d with Pedro G. Romero and Filiep Tacq, is based on the poem.<\/p>\n

St\u00e9phane Mallarm\u00e9 is considered to have invented the space of modern art, having been the first poet to have freed writing, or the poem, from the rigid margins of the page, letting his words roam openly over the printed page, almost like the markings of music, also coinciding with the birth of film. His works also break the linear order of reading, allowing greater abstraction and giving birth to new interrelations between phrases and words, and a new autonomy for language that extends beyond the writer’s intentions, social context and the conditions of his time.<\/p>\n

Marcel Broodthaers (MB) took this a step further with his reading, covering each line of text with black bars or rectangles and making the poem an illegible image of full and empty spaces.\u00a0<\/p>\n

A rhythm of black parallel bars like a score, but also a kind of constructivist architecture, or an abstract film, or a censored archive, or a cybernetic printed image, or… MB printed his own name on the cover instead of Mallarm\u00e9’s, and substituted the word \u201cpoem\u201d with \u201cimage\u201d. <\/p>\n

\u201cUna patada a los dados\u201d started with a conversation on Mallarm\u00e9 and his in Seville between artist and curator Pedro G. Romero, book designer Filiep Tacq, and bailaor<\/em> Israel Galv\u00e1n, on Mallarm\u00e9 and his checkered influence on the genre of flamenco; on Broodthaers’ reading and the visibility of Mallarm\u00e9s poetry in it; on the possibility of making a book, or using the strategy of doing so as a way of thinking about these issues.<\/p>\n

The conversation was later used by bailaor Israel Galv\u00e1n to prepare a third \u201cthree-way\u201d conversation to take place in Louvain, Belgium, on 17 November this year, where he will perform, dance, kick, speak in his own way.<\/p>\n

\nTo take part in the session and be sent the texts to be read, please contact bulegoa@bulegoa.org<\/strong><\/p>\n

Biograf\u00edas:<\/strong><\/p>\n

Filiep Tacq<\/strong> (Kortrijk, 1959) has been working since 1984 as an independent graphic designer specialising in books, art catalogues and artist books. He has lectured at the Sint-Lucas Instituut, Gante and the Jan van Eyck Academie, Maastricht. Tacq has 31 Bienal de S\u00e3o Paulo. He has worked on publications for artists such as Francis Al\u00ffs, Ibon Aranberri, Marcel Broodthaers, James Coleman, Abbas Kiarostami, Moyra Davey, Pedro G. Romero, Rosa Barba and Teresa Lanceta, and for instutitions including Fundaci\u00f3 Antoni T\u00e0pies, Barcelona, DIA Center for the Arts, New York, Manifesta 2 in Luxembourg, MACBA, Barcelona, and Bulegoa z\/b.<\/p>\n

Filiep Tacq set up the project \u201cThe Book to Come\u201d with Bulegoa (2015-2017), based on five books by Marcel Broodthaers.<\/p>\n

Pedro G. Romero<\/strong> (Aracena, 1964) has been working as an artist since 1985. He is currently working on two large apparatuses, Archivo F.X. and M\u00e1quina P.H. He is a member of unia arteypensamiento and PRPC (Plataforma de Reflexi\u00f3n de Pol\u00edticas Culturales), Seville. Romero curates the project Tratado de Paz<\/em> for DSS2016 Cultural Capital. <\/p>\n

Archivo F.X. and its projects have included La Comunidad vac\u00eda<\/em>. Pol\u00edtica<\/em>. for Fundaci\u00f3 Antoni T\u00e0pies, Barcelona, and Econom\u00eda Picasso\/Econom\u00eda<\/em> for Museo Picasso Barcelona. His recent work has unfolded through La Escuela Moderna<\/em> for the 31 Bienal de S\u00e3o Paulo. Wirtschaft, \u00d6konomie, Komjunktur<\/em> was published by Spector Books, Germany, after a project exhibited at the W\u00fcrttembergischer Kunstverein, Stuttgart.<\/p>\n

M\u00e1quina P.H. supports the Plataforma Independiente de Estudios Flamencos Modernos y Contempor\u00e1neos www.pieflamenco.com<\/a>. Romero is art director for bailaor<\/em> Israel Galv\u00e1n and works with different artists, from Roc\u00edo M\u00e1rquez to Tom\u00e1s de Perrate, for instance. Romero curated Oca\u00f1a. Acciones, actuaciones, activismo 1973-1983<\/em> for the Virreina, Barcelona and Centro de Arte Montehermoso, Vitoria. Mudito publishers have just brought out Exaltaci\u00f3n de la visi\u00f3n<\/em> on the films of Jos\u00e9 Val del Omar. Romero is currently working on M\u00e1quinas de Vivir. El flamenco y la arquitectura en la ocupaci\u00f3n y desocupaci\u00f3n de espacios<\/em>, presented at the Berlin Biennal; CGAC, Santiago de Compostela; un\u00eda arteypensamiento, Seville; Cristinaenea, Donostia; MACBA, Barcelona, and Secession, Vienna.<\/p>\n

The Book to Come<\/a><\/em> is a project developed for Corpus network for performance practices. Corpus is made up of Bulegoa z\/b, Bilbao; Contemporary Art Centre,Vilnius; KW Institute for Contemporary Art, Berlin; If I Can\u2019t Dance, I Don\u2019t Want To Be Part Of Your Revolution, Amsterdam; Playground (STUK Kunstencentrum & M-Museum, Louvain), and Tate Modern, London.<\/p>\n

Corpus is co-funded by the European Union Creative Europe programme.<\/p>\n

\"\"<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

St\u00e9phane Mallarm\u00e9’s poem Un Coup de d\u00e9s jamais n\u2019abolir\u00e1 le hazard was published posthumously in 1914 by Gallimard. It was read out, interpreted and rewritten by Marcel Broodthaers in 1969, and is being used as a departure point for a dance by Isra\u00e9l Galv\u00e1n, flamenco bailaor. This session, \u201cUna patada a los dados,\u201d with Pedro […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[111,35],"tags":[],"acf":[],"yoast_head":"\nPedro G. Romero, Filiep Tacq: \u201cUna pat\u00e1 a los dados\u2026\u201d\/ A Kick in the Die. A preliminary conversation, a preface, an introduction. Session twenty-two, \u201cThe Book to Come\u201d. - Bulegoa<\/title>\n<meta name=\"description\" content=\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pedro G. Romero, Filiep Tacq: \u201cUna pat\u00e1 a los dados\u2026\u201d\/ A Kick in the Die. A preliminary conversation, a preface, an introduction. Session twenty-two, \u201cThe Book to Come\u201d. - Bulegoa\" \/>\n<meta property=\"og:description\" content=\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/\" \/>\n<meta property=\"og:site_name\" content=\"Bulegoa\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/bulegoazb\/\" \/>\n<meta property=\"article:published_time\" content=\"2016-11-01T23:00:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2017-09-11T10:48:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/bulegoa.org\/sites\/default\/files\/images\/eu_flag_creative_europe_co_funded_pos_%5Brgb%5D_right_0.jpg\" \/>\n<meta name=\"author\" content=\"Richard\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@bulegoazb\" \/>\n<meta name=\"twitter:site\" content=\"@bulegoazb\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/\",\"url\":\"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/\",\"name\":\"Pedro G. Romero, Filiep Tacq: \u201cUna pat\u00e1 a los dados\u2026\u201d\/ A Kick in the Die. A preliminary conversation, a preface, an introduction. Session twenty-two, \u201cThe Book to Come\u201d. - Bulegoa\",\"isPartOf\":{\"@id\":\"https:\/\/bulegoa.org\/#website\"},\"datePublished\":\"2016-11-01T23:00:00+00:00\",\"dateModified\":\"2017-09-11T10:48:42+00:00\",\"author\":{\"@id\":\"https:\/\/bulegoa.org\/#\/schema\/person\/bc9313fa18f8b20d8e9631b0fb2dbba3\"},\"description\":\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\",\"breadcrumb\":{\"@id\":\"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/bulegoa.org\/en\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Pedro G. Romero, Filiep Tacq: \u201cUna pat\u00e1 a los dados\u2026\u201d\/ A Kick in the Die. A preliminary conversation, a preface, an introduction. Session twenty-two, \u201cThe Book to Come\u201d.\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/bulegoa.org\/#website\",\"url\":\"https:\/\/bulegoa.org\/\",\"name\":\"Bulegoa\",\"description\":\"\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/bulegoa.org\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/bulegoa.org\/#\/schema\/person\/bc9313fa18f8b20d8e9631b0fb2dbba3\",\"name\":\"Richard\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Pedro G. Romero, Filiep Tacq: \u201cUna pat\u00e1 a los dados\u2026\u201d\/ A Kick in the Die. A preliminary conversation, a preface, an introduction. Session twenty-two, \u201cThe Book to Come\u201d. - Bulegoa","description":"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/","og_locale":"en_US","og_type":"article","og_title":"Pedro G. Romero, Filiep Tacq: \u201cUna pat\u00e1 a los dados\u2026\u201d\/ A Kick in the Die. A preliminary conversation, a preface, an introduction. Session twenty-two, \u201cThe Book to Come\u201d. - Bulegoa","og_description":"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.","og_url":"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/","og_site_name":"Bulegoa","article_publisher":"https:\/\/www.facebook.com\/bulegoazb\/","article_published_time":"2016-11-01T23:00:00+00:00","article_modified_time":"2017-09-11T10:48:42+00:00","og_image":[{"url":"https:\/\/bulegoa.org\/sites\/default\/files\/images\/eu_flag_creative_europe_co_funded_pos_[rgb]_right_0.jpg"}],"author":"Richard","twitter_card":"summary_large_image","twitter_creator":"@bulegoazb","twitter_site":"@bulegoazb","schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/","url":"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/","name":"Pedro G. Romero, Filiep Tacq: \u201cUna pat\u00e1 a los dados\u2026\u201d\/ A Kick in the Die. A preliminary conversation, a preface, an introduction. Session twenty-two, \u201cThe Book to Come\u201d. - Bulegoa","isPartOf":{"@id":"https:\/\/bulegoa.org\/#website"},"datePublished":"2016-11-01T23:00:00+00:00","dateModified":"2017-09-11T10:48:42+00:00","author":{"@id":"https:\/\/bulegoa.org\/#\/schema\/person\/bc9313fa18f8b20d8e9631b0fb2dbba3"},"description":"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.","breadcrumb":{"@id":"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/bulegoa.org\/en\/pedro-g-romero-filiep-tacq-una-pata-a-los-dados-a-kick-in-the-die-a-preliminary-conversation-a-preface-an-introduction-session-twenty-two-the-book-to-come\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/bulegoa.org\/en\/"},{"@type":"ListItem","position":2,"name":"Pedro G. Romero, Filiep Tacq: \u201cUna pat\u00e1 a los dados\u2026\u201d\/ A Kick in the Die. A preliminary conversation, a preface, an introduction. Session twenty-two, \u201cThe Book to Come\u201d."}]},{"@type":"WebSite","@id":"https:\/\/bulegoa.org\/#website","url":"https:\/\/bulegoa.org\/","name":"Bulegoa","description":"","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/bulegoa.org\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/bulegoa.org\/#\/schema\/person\/bc9313fa18f8b20d8e9631b0fb2dbba3","name":"Richard"}]}},"_links":{"self":[{"href":"https:\/\/bulegoa.org\/en\/wp-json\/wp\/v2\/posts\/1303"}],"collection":[{"href":"https:\/\/bulegoa.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/bulegoa.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/bulegoa.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/bulegoa.org\/en\/wp-json\/wp\/v2\/comments?post=1303"}],"version-history":[{"count":1,"href":"https:\/\/bulegoa.org\/en\/wp-json\/wp\/v2\/posts\/1303\/revisions"}],"predecessor-version":[{"id":4299,"href":"https:\/\/bulegoa.org\/en\/wp-json\/wp\/v2\/posts\/1303\/revisions\/4299"}],"wp:attachment":[{"href":"https:\/\/bulegoa.org\/en\/wp-json\/wp\/v2\/media?parent=1303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/bulegoa.org\/en\/wp-json\/wp\/v2\/categories?post=1303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/bulegoa.org\/en\/wp-json\/wp\/v2\/tags?post=1303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}