{"id":1218,"date":"2014-01-03T00:00:00","date_gmt":"2014-01-02T23:00:00","guid":{"rendered":"https:\/\/bulegoa.org\/web\/1992-capital-status-exhibitions-and-critical-strategies-peninsula-colonial-processes-and-art-and-curatorial-practices\/"},"modified":"2014-01-03T00:00:00","modified_gmt":"2014-01-02T23:00:00","slug":"1992-capital-status-exhibitions-and-critical-strategies-peninsula-colonial-processes-and-art-and-curatorial-practices","status":"publish","type":"post","link":"https:\/\/bulegoa.org\/en\/1992-capital-status-exhibitions-and-critical-strategies-peninsula-colonial-processes-and-art-and-curatorial-practices\/","title":{"rendered":"&#8220;1992. Capital status, exhibitions and critical strategies&#8221;. Pen\u00ednsula. Colonial processes and art and curatorial practices"},"content":{"rendered":"<p><strong>&#8220;1992. Capital status, exhibitions and critical strategies&#8221;. Friday, 10 January, 2014 \u2013 19:00<\/strong><\/p>\n<p>With the Universal Exposition of Seville, 1992, the politics of art and exhibitions in Spain was to experience a fundamental change of direction marked by the commemoration of the 500th anniversary of the Conquista. Using the moment as an obligatory starting point, the course of this presentation will zigzag between spectacularization and new forms of criticality- ranging from those which come about autonomously to those which arise through agreement or collision with the &#8216;Institution&#8217; in relation to the colonial history and present of Spain.<\/p>\n<p>The process was marked by a manifest bipolarity between the &#8216;Europeanisation&#8217; of the State \u2013 Madrid having been Cultural Capital in the same year \u2013 and an &#8216;Americanisation&#8217;  recovering the historical link to ex-colonies via different exhibition mechanisms favouring coloniality. Such an apparatus was part of a strategy to promote &#8216;Spain&#8217; as a gateway for Europe to Third World nations \u2013 the term &#8216;Third World&#8217; being in use in the context -; it worked as a tool for constituting the Spanish state as a Europeanised site of reception for immigrants with the resulting repressive structures. Using this diagnosis as a starting point, some of the members of <em>La memoria de lo colonial,<\/em> a subgroup of Pen\u00ednsula made up of Aimar Arriola, Jes\u00fas Carrillo, Tamara D\u00edaz, Juliane Debeusscher, Nancy Gar\u00edn, Francisco Godoy, Juan Guardiola, Fernando L\u00f3pez, Landry-Wilfrid Miampika and Mar\u00eda Luisa Ortega, will be providing a visual and critical analysis and a space for discussion on the issues in question.<\/p>\n<p><strong>Saturday, 11 January, 2014 &#8211; 11:00<\/strong><\/p>\n<p>The sixth general meeting of the members of Pen\u00ednsula will be closed to the public. Work groups will be set up to examine the state of each branch of research and look at possible strategies for future action.<\/p>\n<p><em><strong>Pen\u00ednsula. Colonial processes and art and curatorial practices<\/strong><\/em> is a platform for debate    which examines art, coloniality and curatorship in relation to the history of Spain and Portugal, the colonial processes of these countries and the latency of current power relations within them. The group collaborates with the Museo Nacional Centro de Arte Reina Sof\u00eda and is made of of around 40 researchers, academics, postgraduate students and artists. The Friday 10 session at Bulegoa is the first public presentation of the platform, which was set up in 2012.<\/p>\n<p><a target=\"_blank\" href=\"http:\/\/www.museoreinasofia.es\/pedagogias\/centro-estudios\/grupos-investigacion\/peninsula\">http:\/\/www.museoreinasofia.es\/pedagogias\/centro-estudios\/grupos-investigacion\/peninsula<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;1992. Capital status, exhibitions and critical strategies&#8221;. Friday, 10 January, 2014 \u2013 19:00 With the Universal Exposition of Seville, 1992, the politics of art and exhibitions in Spain was to experience a fundamental change of direction marked by the commemoration of the 500th anniversary of the Conquista. Using the moment as an obligatory starting point, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[36],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&quot;1992. Capital status, exhibitions and critical strategies&quot;. Pen\u00ednsula. 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Colonial processes and art and curatorial practices - Bulegoa\" \/>\n<meta property=\"og:description\" content=\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/bulegoa.org\/en\/1992-capital-status-exhibitions-and-critical-strategies-peninsula-colonial-processes-and-art-and-curatorial-practices\/\" \/>\n<meta property=\"og:site_name\" content=\"Bulegoa\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/bulegoazb\/\" \/>\n<meta property=\"article:published_time\" content=\"2014-01-02T23:00:00+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/bulegoa.org\/web\/wp-content\/uploads\/2017\/04\/portada-bulegoa.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"430\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Richard\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@bulegoazb\" \/>\n<meta name=\"twitter:site\" content=\"@bulegoazb\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/bulegoa.org\/en\/1992-capital-status-exhibitions-and-critical-strategies-peninsula-colonial-processes-and-art-and-curatorial-practices\/\",\"url\":\"https:\/\/bulegoa.org\/en\/1992-capital-status-exhibitions-and-critical-strategies-peninsula-colonial-processes-and-art-and-curatorial-practices\/\",\"name\":\"\\\"1992. 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