{"id":1155,"date":"2011-10-01T00:00:00","date_gmt":"2011-09-30T22:00:00","guid":{"rendered":"https:\/\/bulegoa.org\/web\/fourth-lesson-the-drum-nilo-gallego\/"},"modified":"2019-04-03T14:50:39","modified_gmt":"2019-04-03T12:50:39","slug":"fourth-lesson-the-drum-nilo-gallego","status":"publish","type":"post","link":"https:\/\/bulegoa.org\/en\/fourth-lesson-the-drum-nilo-gallego\/","title":{"rendered":"\u201cFourth Lesson: The Drum\u201d. Nilo Gallego*"},"content":{"rendered":"<p>Nilo Gallego is a musician and performer. He plays drums and electronics. His proposals, which have a playful side to them, take the idea of experimenting with sound as their starting point and seek participation from the audience.<\/p>\n<p>After five days in Azala (Lasierra \u00c1lava), Nilo Gallego and other members of the workshop \u201cDe la tregua infinita a la guerra de almohadas\u201d (\u201cFrom the Infinite Truce to Pillow Warfare\u201d) will be playing the drums at Bulegoa z\/b.<\/p>\n<p>The session will be organised as a course on the history of the instrument, ways of playing it, its derivations and multiple meanings. But more than a learning process on the instrument itself, it provides an approach to Nilo\u2019s way of working and an understanding of his work through practice.<\/p>\n<blockquote><p>\u201cThe word \u201cbater\u00eda\u201d (drums) traces back etymologically to the French word BATTERIE. Some definitions for it are:<br \/>\nGroup of items of artillery ready to fire.<br \/>\nAccumulator or set of several electricity accumulators.<br \/>\nSet of percussion instruments mounted as a single kit, played by one person.\u201d<\/p>\n<p>Sounds great, so let\u2019s get playing.<\/p><\/blockquote>\n<p><strong>*Bring a percussion instrument (drum, cymbal, bongo, whisk, frying pan, rubbish bin&#8230;) and two drumsticks or similar (wooden spoons, chopsticks&#8230;).<\/strong><\/p>\n<p><strong>(5 pm \u2013 9 pm)<\/strong><\/p>\n<p><a href=\"http:\/\/www.tutuguri.es\" target=\"_blank\" rel=\"noopener noreferrer\">www.tutuguri.es<\/a><\/p>\n<p><strong>Nilo Gallego<\/strong> has performed in all kinds of spaces, such as &#8220;Pigmeus do Mondego&#8221; (sound action at the Mondego river), &#8220;Amanecer desde Montolivet&#8221; and &#8220;Fuera de la f\u00e1brica Beta&#8221; (site-especific),\u00a0&#8220;Felipe vuelve a casa con las ovejas sonando&#8221; (sheep concert with shepherd Felipe Quintana),\u00a0&#8220;Canci\u00f3n de \u00e9xito mundial&#8221; (participatory sound action), &#8220;Te invito a un chino&#8221; (experimental performance with kanito and Oscar de Paz), &#8220;Concierto de meg\u00e1fonos y sirenas&#8221; and &#8220;Concierto aspirador&#8221; (with Pablo Rega), &#8220;Homenaje Cage&#8221; (with Markus Breuss), etc. Group projects include &#8220;Yavestruz comoandamios parecementerio&#8221; (experimental music and action in public spaces), and &#8220;Taller espont\u00e1neo de peque\u00f1as nadas&#8221; (street actions), the collective &#8220;Fora do tempo&#8221; (field actions) and musical performance groups\u00a0 &#8220;Ciegas con Pistola&#8221;, &#8220;Siempre por Detroit&#8221; and &#8220;Blinden mit Pistolen&#8221;. He has worked with the &#8220;La Danaus&#8221; street theatre company, choreographers Olga Mesa, Martine Pisani, Amalia Fernandez, Marisa Amor and Elena Alonso, contemporary theatre directors Rodrigo Garc\u00eda, Carlos San Mart\u00edn and Tom\u00e1s Aragay, and documentary filmmaker Chus Dom\u00ednguez. He has improvised music with musicians or dancers such as Patricia Lamas, Africa Navarro, Chefa Alonso, Gunter Heinz, Vanesa Mackness and Wade Matthews; and been a member of the bands Dadajazz (freejazz) and Los Nadie (rock).\u00a0 He teaches sound workshops for children and adults.<br \/>\n* This EGB lesson is to be carried out as a continuation of \u201cDe la tregua infinita a la guerra de almohadas\u201d, a workshop directed by Nilo Gallego from 27 September to 1 October in Azala, space for creation (Lasierra, \u00c1lava), <a href=\"http:\/\/www.azala.es\" target=\"_blank\" rel=\"noopener noreferrer\">www.azala.es<\/a>, in collaboration with Krea (Gorputz Egoerak programme).<\/p>\n<p><a href=\"http:\/\/www.azala.es\" target=\"_blank\" rel=\"noopener noreferrer\"><img src=\"https:\/\/bulegoa.org\/sites\/default\/files\/images\/logo_azala.jpg\" alt=\"Colabora: AZALA\" \/><\/a>\u00a0\u00a0\u00a0\u00a0\u00a0 <a href=\"http:\/\/kreared.com\/\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" src=\"https:\/\/bulegoa.org\/sites\/default\/files\/images\/logo_krea.jpg\" alt=\"\" width=\"93\" height=\"51\" align=\"bottom\" \/><\/a><\/p>\n<p class=\"rtecenter\">\n","protected":false},"excerpt":{"rendered":"<p>Nilo Gallego is a musician and performer. He plays drums and electronics. His proposals, which have a playful side to them, take the idea of experimenting with sound as their starting point and seek participation from the audience. After five days in Azala (Lasierra \u00c1lava), Nilo Gallego and other members of the workshop \u201cDe la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8324,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[39,101],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u201cFourth Lesson: The Drum\u201d. Nilo Gallego* - Bulegoa<\/title>\n<meta name=\"description\" content=\"Ubicada en el barrio bilba\u00edno de Solokoetxe y centrada en la producci\u00f3n, la discusi\u00f3n, el intercambio de ideas y la materializaci\u00f3n de proyectos art\u00edsticos.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bulegoa.org\/en\/fourth-lesson-the-drum-nilo-gallego\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201cFourth Lesson: The Drum\u201d. 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