{"id":7411,"date":"2017-07-01T16:07:50","date_gmt":"2017-07-01T14:07:50","guid":{"rendered":"https:\/\/bulegoa.org\/egb\/courses\/space-is-the-place-place-is-the-space\/"},"modified":"2022-10-19T16:24:13","modified_gmt":"2022-10-19T14:24:13","slug":"space-is-the-place-place-is-the-space","status":"publish","type":"page","link":"https:\/\/bulegoa.org\/en\/space-is-the-place-place-is-the-space\/","title":{"rendered":"Space Is The Place \/ The Place Is Space"},"content":{"rendered":"<p><img loading=\"lazy\" class=\"alignnone\" src=\"https:\/\/bulegoa.org\/web\/wp-content\/uploads\/2022\/06\/tsitptpite.jpg\" alt=\"Space Is The Place \/ The Place is Space\" width=\"768\" height=\"480\" \/><\/p>\n<p>Fifty years ago, <em>Il Monumento Continuo <\/em>\u00a0(1969-1970) enveloped the world with its network. The collage series by radical architecture group Superstudio was to foresee some of the phenomena of global capitalism including information highways, the homogenisation of lifestyles, or the destruction of employment. Their viewpoint was critical and ironical, and highlighted the central role of architecture in the production of social space.<\/p>\n<p>Architecture was also the subject of a contempraneous photo series. Rather than making use of a fictitious future scenario, Martha Rosler used texts and photography in <em>The Bowery in two inadequate description systems<\/em>(1974-75) to document street corners and shopfronts in a run-down area of the city, fragments of real, obsolete architecture on the point of disappearance.<\/p>\n<p>\u201cDescriptive systems are inadequate for experience. But the question is then, What is experience?\u201d<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a> In a conversation from 1999, just when New York\u2019s Bowery district was going through profound transformation and land value was rising rapidly, Rosler\u2019s reflection\u00a0 on the series\u2019 title places the emphasis on another of global capitalism\u2019s inherent processes: the devaluing of experience as it is turned into a product for consumption. This also highlights art\u2019s paradoxical role in these processes. While art today acts to continually provide and facilitate experiences, it is essentially a critical practice.<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a> \u201cUna conversaci\u00f3n. Martha Rosler y Benjamin H. D. Buchloh\u201d. in <em>Martha Rosler: Posiciones en el mundo real<\/em>. Barcelona: MACBA\/Actar, 1999 [<em>Quaderns Port\u00e0tils<\/em> #18, 2009].<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fifty years ago, Il Monumento Continuo \u00a0(1969-1970) enveloped the world with its network. The collage series by radical architecture group Superstudio was to foresee some of the phenomena of global capitalism including information highways, the homogenisation of lifestyles, or the destruction of employment. Their viewpoint was critical and ironical, and highlighted the central role of [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v20.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Space Is The Place \/ The Place Is Space - Bulegoa<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/bulegoa.org\/en\/space-is-the-place-place-is-the-space\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Space Is The Place \/ The Place Is Space - Bulegoa\" \/>\n<meta property=\"og:description\" content=\"Fifty years ago, Il Monumento Continuo \u00a0(1969-1970) enveloped the world with its network. The collage series by radical architecture group Superstudio was to foresee some of the phenomena of global capitalism including information highways, the homogenisation of lifestyles, or the destruction of employment. 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The collage series by radical architecture group Superstudio was to foresee some of the phenomena of global capitalism including information highways, the homogenisation of lifestyles, or the destruction of employment. 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