Illegal_cinema
Screening of films proposed by Club Le Larraskito followed by discussion. Pure adaptations of La coquille et le clergyman (Antonin Artaud). Club Le Larraskito, in the Rekalde district of Bilbao, is a space for work and dissemination, mainly focused on strange music, though other things are not excluded. It has been organising concerts, improvisation sessions…(Read More)
Forms of formless knowledge
In 1965, the Palestine Liberation Organization (PLO) proclaimed the launch of a revolution in its political program, and its armed struggle to liberate Palestine from occupation. The organization was structured to operate like a government in exile, replete with executive and legislative bodies, a constitutional text, a higher command, as well as military and civilian…(Read More)
Illegal_cinema
Screening of film excerpts proposed by Ander Lauzirika, followed by a discussion. Screening: Passing strange (2009, Spike Lee) + Dogville (2003, Lars Von Trier). Ander Lauzirika Basaguren, artist, most often-used tool: the camera. Teaches photography in Bilbao, in those council courses. Collaborates with the film magazine Fuerza Vital…(Read More)
Forms of formless knowledge
Peter Friedl is one of four artists invited by Bulegoa z/b to create a text to be read as part of the staging of “Una, dos, tres, cuatro paredes” (“One, two, three, four walls”) within which the Jorge Oteiza work Homenaje a Velázquez is to be presented. This project has been specifically produced…(Read More)
Illegal_cinema
Screening of a film proposed by Juan Guardiola, followed by a discussion. Screening: “Mababangong bangungot / Perfumed Nightmare” (1977, Kidlat Tahimik) 16 mm / Colour / Sound / 95 min. Kidlat Tahimik, meaning “calm or quiet light” in Tagalog, is the pseudonym used by Eric de Guia, artist and mythical figure in Southern Asian experimental…(Read More)
Forms of formless knowledge
Putting forward, declaring, stating… immersed in our own discourse, we sometimes forget something as simple as listening. This is the title given to a set of videos to take notice of, listen to, perceive and pay attention to. Documents which interpret and reflect on the idea of a nation as a laboratory for creation and…(Read More)
Forms of formless knowledge
The domestic and public arenas have been considered, and projected, as independent areas. The home, in shared rhetoric, has been constructed as a depoliticised space of disconnection, whereas public space is seen as that of neutrality and disaffection. The Oficina de Innovación Política (Office of Political Innovation) has carried out a wide-ranging…(Read More)
One wall productions
First Anniversary Party of Bulegoa z/b. Opening of three permanent interventions in the space by Miren Arenzana, Gorka Eizagirre and Xabier Salaberria followed by pintxos, drinks and the musical performances shown below: 19:30. Combo vocal Bilbo Musika Eskola ( http://www.bilbaomusika.net ) 20:00. Colombina’s ( http://vimeo.com/25448167 ) 20:30. Estanis…(Read More)
Forms of formless knowledge
Nofuinidieike (one who eats stone) To translate is also to make mistakes, to fall into and construct wrong meanings. It is to speak of oneself with a foreign, predefined word organization. It is to find the spaces (margins, cracks) in a certain (con)text that can be used to project content, slightly shifting a meaning…(Read More)